It's All Allowed (Paperback). Questo articolo non è disponibile.
Lingua: inglese
Editore: Intellect, Bristol, 2016
- Brossura
- Nuovo

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Venditore AbeBooks dal 12 ottobre 2005
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Descrizione dell’articolo da parte del venditore
Paperback. Adrian Howells (19622014) was one of the worlds leading figures in the field of one-to-one performance practicethe act of staging an event for one audience participant at a time. Developed over more than a decade, Howellss award-winning work demonstrated not only his enduring commitment to this genre of performance, but also his determination to find new challenges and innovations in performance art, intimate theatre, and socially engaged art.Its All Allowed, edited by Deirdre Heddon and Dominic Johnson, is the first book devoted to Howellss remarkable achievements and legacy. Contributors here testify to the methodological, thematic, and historiographical challenges posed by Howells performances. Citing his permissive mantra as its title, Its All Allowed includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together reveal new insight into Howellss groundbreaking process. It's All Allowed, edited by Deirdre Heddon and Dominic Johnson, is the first book devoted to Adrian Howells's remarkable achievements and legacy. Contributors here testify to the methodological, thematic and historiographical challenges posed by Howells' performances.Winner of the TaPRA prize for Editing 2017 Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …
Codice articolo 9781783205899
- Titolo
- It's All Allowed (Paperback)
- Autore
- Deirdre Heddon
- Editore
- Intellect, Bristol
- Anno di pubblicazione
- 2016
- Condizione
- new
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 178320589X
- ISBN 13
- 9781783205899
It’s All Allowed, edited by Deirdre Heddon and Dominic Johnson, is the first book devoted to Howells’s remarkable achievements and legacy. Contributors here testify to the methodological, thematic, and historiographical challenges posed by Howells’ performances. Citing his permissive mantra as its title, It’s All Allowed includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together reveal new insight into Howells’s groundbreaking process.
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