Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre. Questo articolo non è disponibile.
Weimann, Robert/ Higbee, Helen (Editor)/ West, William (Editor)/ Higbee, Helen/ West, William
8 valutazioni di Goodreads
Lingua: inglese
Editore: Cambridge Univ Pr, 2000
- Brossura
- Nuovo

Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Venditore AbeBooks dal 6 gennaio 2003
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Condizione: Nuovo
EUR 57,68
Descrizione dell’articolo da parte del venditore
298 pages. 8.50x6.00x0.75 inches. In Stock. This item is printed on demand.
Codice articolo __0521787351
- Titolo
- Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre
- Autore
- Weimann, Robert/ Higbee, Helen (Editor)/ West, William (Editor)/ Higbee, Helen/ West, William
- Editore
- Cambridge Univ Pr
- Anno di pubblicazione
- 2000
- Condizione
- Brand New
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 0521787351
- ISBN 13
- 9780521787352
- Peso dell'articolo
- 0,48 chilogrammi
Redefines the relationship between writing and performance in Shakespeare's theatre.
"Riassunto" può appartenere a un’altra edizione di questo titolo.
Recensione
'Robert Weimann's study is indispensable for an understanding of the complex play of authority and appropriation in the Elizabethan theatre. Any serious consideration of the relation between text and performance, any analysis of the struggle for the control of theatrical interpretation, any sustained reflection on the crossing of the threshold from reality to the play-world and back again would do well to begin here with this brilliant book.' Stephen Greenblatt
'In this book Weimann again charts new ground, by reading Shakespeare's searching interrogation of the two modes of production in which he worked: writing and acting. He challenges us to reimagine Shakespearean drama as an art that is inclusive as well as contestatory.' W. B. Worthen
'Robert Weimann has written an extraordinary book - bold and original in its conception, sophisticated and surprising in its execution. It is scrupulous in its research and rigorous in its argument, energetic in its prose and agile in its readings. Weimann leads us once again to rethink much of what we thought we knew about Elizabethan plays.' David Scott Kastan
'... impressively detailed... The breadth of Robert Weiman's research and the depth of his thought are evident on every page.' New Theatre Quarterly
'In this book Weimann again charts new ground, by reading Shakespeare's searching interrogation of the two modes of production in which he worked: writing and acting. He challenges us to reimagine Shakespearean drama as an art that is inclusive as well as contestatory.' W. B. Worthen
'Robert Weimann has written an extraordinary book - bold and original in its conception, sophisticated and surprising in its execution. It is scrupulous in its research and rigorous in its argument, energetic in its prose and agile in its readings. Weimann leads us once again to rethink much of what we thought we knew about Elizabethan plays.' David Scott Kastan
'... impressively detailed... The breadth of Robert Weiman's research and the depth of his thought are evident on every page.' New Theatre Quarterly
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