Basics: 300 exercises and practice routines for the Violin

Fischer, Simon

ISBN 10: 1901507009 / ISBN 13: 9781901507003

Editore: Edition Peters, London, 1997

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A collection of practice methods and exercises that can by used by violin players of all levels including elementary students. 4to - over 9!" - 12". 230pp. The white illustrated softcover has curling to corners and minor crease to one corner. Internals are clean tight and unmarked. Extra shipping may aplly to size & weight.

Codice articolo 003026

Dati bibliografici

• Titolo: Basics: 300 exercises and practice routines for the Violin
• Editore: Edition Peters, London
• Data di pubblicazione: 1997
• Lingua: Inglese
• ISBN 10: 1901507009
• ISBN 13: 9781901507003
• Rilegatura: Brossura
• Cataloghi dei venditori:
  • Music

Descrizione articolo

Riassunto

Basics

is a collection of practice methods and exercises, and belongs on the music stand, not on the bookshelf. It can be used by players of all standards, from concert violinists to students. Much of the material is also suitable for teaching elementary players.

Each exercise is designed to achieve the maximum possible result in the least possible time. Some are very short and need to be done only once or twice to explore a particular aspect of technique. Others are practice routines or warm-up exercises that can returned to regualarly.

Basics

is not a book to play through from cover to cover (though, for easy reference, the exercises are numbered sequentially throughout). Everybody's needs are different, and there is little point in practising anything that does not need to be practised.

The book is invaluable, however, in its presentation of the most effective technical work in a single volume, making it possible to work directly on any aspect of technique that needs attention.

Informazioni sull?autore

Through his thorough research, rich experience and originality, Simon Fischer has gained a worldwide reputation as a powerful and creative spokesman for the principles of modern violin playing. His influence is based on the wide appeal of his simple, effective and straight-to-the-point explanations and demonstrations. Having studied the violin with Yfrah Neaman in London and with Dorothy DeLay in New York, he has been able to unite and develop the best elements of the Franco-Belgian, Russian and American violin traditions.