Bernstein Meets Broadway: Collaborative Art in a Time of War (Broadway Legacies)

Carol Oja (William Powell Mason Professor of Music, William Powell Mason Professor of Music, Harvard University)

ISBN 10: 0199862095 / ISBN 13: 9780199862092

Editore: Oxford University Press Inc, United States, New York, 2014

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A super-star of 20th-century music, Leonard Bernstein is famous for his multi-faceted artistic brilliance. Best-known on Broadway for "West Side Story," a tale of immigrant struggles and urban gang warfare, Bernstein thrived within the theater's collaborative artistic environments, and he forged a life-long commitment to advancing social justice. In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author Carol J. Oja explores a youthful Bernstein-a twenty-something composer who was emerging in New York City during World War II. Devising an innovative framework, Oja constructs a wide-ranging cultural history that illuminates how Bernstein and his friends violated artistic and political boundaries to produce imaginative artistic results. At the core of her story are the Broadway musical On the Town, the ballet Fancy Free, and a nightclub act called The Revuers. A brilliant group of collaborators joins Bernstein at center-stage, including the choreographer Jerome Robbins and the writing team of Betty Comden and Adolph Green. With the zeal of youth, they infused their art with progressive political ideals. On the Town focused on sailors enjoying a day of shore leave, and it featured a mixed-race cast, contributing an important chapter to the desegregation of American performance. It projected an equitable inter-racial vision in an era when racial segregation was being enforced contentiously in the U.S. military. The show starred the dancer Sono Osato, even as her father was interned together with so many Japanese Americans. Fancy Free amiably encoded its own dissenting narratives. Based on a controversial painting by Paul Cadmus, it grew out of a complex web of gay relationships. Rather than chronicling art within like-minded categories, Oja instead explores cross-fertilizations across art forms and high-low divides. She draws on intensive archival research, FBI files, interviews with surviving cast members, and previously untapped criticism in African American newspapers and entertainment-trade journals to shape a compelling story of artistic crossover and wartime exigencies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR006148801

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Titolo: Bernstein Meets Broadway: Collaborative Art ...

Casa editrice: Oxford University Press Inc, United States, New York

Data di pubblicazione: 2014

Legatura: Paperback

Condizione: Very Good

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Riassunto:

A super-star of 20th-century music, Leonard Bernstein is famous for his multi-faceted artistic brilliance. Best-known on Broadway for "West Side Story," a tale of immigrant struggles and urban gang warfare, Bernstein thrived within the theater's collaborative artistic environments, and he forged a life-long commitment to advancing social justice.

In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author Carol J. Oja explores a youthful Bernstein-a twenty-something composer who was emerging in New York City during World War II. Devising an innovative framework, Oja constructs a wide-ranging cultural history that illuminates how Bernstein and his friends violated artistic and political boundaries to produce imaginative artistic results. At the core of her story are the Broadway musical On the Town, the ballet Fancy Free, and a nightclub act called The Revuers. A brilliant group of collaborators joins Bernstein at center-stage, including the choreographer Jerome Robbins and the writing team of Betty Comden and Adolph Green. With the zeal of youth, they infused their art with progressive political ideals. On the Town focused on sailors enjoying a day of shore leave, and it featured a mixed-race cast, contributing an important chapter to the desegregation of American performance. It projected an equitable inter-racial vision in an era when racial segregation was being enforced contentiously in the U.S. military. The show starred the dancer Sono Osato, even as her father was interned together with so many Japanese Americans. Fancy Free amiably encoded its own dissenting narratives. Based on a controversial painting by Paul Cadmus, it grew out of a complex web of gay relationships.

Rather than chronicling art within like-minded categories, Oja instead explores cross-fertilizations across art forms and high-low divides. She draws on intensive archival research, FBI files, interviews with surviving cast members, and previously untapped criticism in African American newspapers and entertainment-trade journals to shape a compelling story of artistic crossover and wartime exigencies.

Informazioni sull?autore:

Carol J. Oja is the William Powell Mason Professor of Music at Harvard University. She is author of Making Music Modern: New York in the 1920s (OUP, 2000), which won the Lowens Book Award from the Society for American Music and an ASCAP-Deems Taylor Award. Her other books include Copland and his World (co-edited with Judith Tick, 2005) and Colin McPhee: Composer in Two Worlds (2004),