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Brassaï beyond the streets of Paris: a survey featuring fashion photography, artist collaborations, sculptures and more

After the publication of his photobook Paris de nuit (1933), Hungarian French photographer Brassaï (1899–1984) became inextricably linked with the City of Light. Yet his influence spread far beyond the French borders: from his collaboration with Edward Steichen to his 1957 exhibition at the Museum of Modern Art, New York.
Curated by the photographer’s nephew, Philippe Ribeyrolles, The Eye of Paris revives Brassai’s body of work, offering a full overview of his evolution. Arranged thematically, it journeys through different views of the city as well as different facets of Brassaï’s oeuvre. “Paris by Day” and “Paris by Night” contain his most iconic photographs, from Paris landmarks to ordinary street scenes. One chapter focuses on graffiti, which he documented not only in Paris but across Europe. Another section explores Brassaï’s relationship with other Paris-based artists, including Colette, Matisse, Picasso, Leonor Fini and Germaine Richier. Peppered throughout with Brassaï’s sculptures and sketches, The Eye of Paris is a comprehensive look at the artist and the city he called home.

The volume offers a chance to approach the work of Brassaï (1899-1984), a multifaceted figure in the history of French photography.

A painter, sculptor and writer in addition to being a photographer, his name is inextricably linked to the masterpiece "Paris de Nuit", published in 1933 with a preface by Paul Morand. Brassaï's views of the capital - illuminated by public lighting and other sources, and at times shrouded in fog - lend a mysterious aura to the urban landscape. Brassaï was a forerunner in capturing the night-time atmosphere of different areas of Paris, masterfully blending photographic art with his personal sensitivity.

The volume, curated by the photographer's nephew Philippe Ribeyrolles, sets out to revive Brassaï's body of work, offering an overview of his evolution over the years. From the artist's collaboration with Edward Steichen to international recognition in the wake of his 1957 exhibit at the Museum of Modern Art (MoMA) in New York, Brassaï's influence spreads far beyond the French borders.
Includes texts by Philippe Ribeyrolles, Silvia Paoli, an interview with Gilbert Brassaï, the artist's wife, and biographical information.