British National Cinema.

Street, Sarah.

ISBN 10: 0415067367 / ISBN 13: 9780415067362

Editore: Routledge, Florence, Kentucky, U.S.A., 1997

Riguardo questo articolo

Softcover 1997 edition. Covers and text in very good condition. Binding firm. Pages unmarked and clean. {232 pages}.

Codice articolo 016230

Dati bibliografici

• Titolo: British National Cinema.
• Editore: Routledge, Florence, Kentucky, U.S.A.
• Data di pubblicazione: 1997
• Lingua: Inglese
• ISBN 10: 0415067367
• ISBN 13: 9780415067362
• Rilegatura: Soft cover
• Condizione: Very Good
• Cataloghi dei venditori:
  • Film/Movies

Descrizione articolo

Riassunto

The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.

Informazioni sull?autore

Sarah Street is Professor of Film at the University of Bristol. She is the joint author of Cinema and State (with Margaret Dickinson, 1985) and Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (with Tim Bergfelder and Sue Harris, 2007), author of British Cinema in Documents (2000), Costume and Cinema (2001), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcissus (2005). She is co-editor of Moving Performance: British Stage and Screen (with Linda Fitzsimmons, 2001), European Cinema (with Jill Forbes, 2001), The Titanic in Myth and Memory (with Tim Bergfelder, 2004) and The Queer Screen Reader (with Jackie Stacey, 2007).