(USA) 2nd printing 1999. No markings, includes the CD-ROM unopened to the pouch to the back cover, Fine in Fine dust jacket. Hardcover, 350pp, index, line diagrams. Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book.The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard. (2.7 JM LVR 206/b1 Size: 8vo - over 7�" - 9�".

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Dati bibliografici

Titolo

COMPOSING INTERACTIVE MUSIC Techniques and Ideas Using Max (includes CD-ROM)

Editore

The MIT Press, Cambridge / London

Data di pubblicazione

1999

Lingua

Inglese

ISBN 10

026223193X

ISBN 13

9780262231930

Rilegatura

Hardcover

Condizione

Fine

Condizione della sovraccoperta

Fine

Cataloghi dei venditori

Music and Musicians

Descrizione articolo

Riassunto

Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book.

The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard.

Although the book is aimed at those interested in writing music and software using Max, the casual reader can learn the basic concepts of interactive composition by just reading the text, without running any software. The book concludes with a discussion of recent multimedia work incorporating projected images and video playback with sound for concert performances and art installations.

Product Description

Book by Winkler Todd

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