Titolo: Complete Guide to Film and Digital Production: The People and The Process (2nd Edition)
Editore: Pearson
Data di pubblicazione: 2011
Lingua: Inglese
ISBN 10: 0205078621
ISBN 13: 9780205078622
Rilegatura: Paperback
Edizione: seconda edizione
Condizione: Good
Condizione della sovraccoperta: No Jacket
Peso: 1,16 libbre

Descrizione articolo

Riassunto

Now available in an updated, 2nd edition,The Complete Guide to Film and Digital Production: The People and The Process, 2/e,discusses the entire production process for film and digital media, and provides you with a comprehensive view of production in the field, at live events, for mobile content and for animation. This book covers all aspects of the production process and readers learn the nuts and bolts of film and digital production from pre-production through delivery. This edition will make your production experience more marketable to an ever-expanding and converging industry.

Contenuti

Preface xxv PART I PREP AND PRODUCTION CHAPTER ONE The Producer's Job Pre-Production Production Post-Production Line Producer Pre-Production Production Post-Production and Wrap ASSOCIATE PRODUCER ASSISTANT TO THE PRODUCER Qualities of a Good Assistant ACQUIRING THE SCRIPT WORKING WITH WRITERS WORKING WITH FIRST TIME DIRECTORS PRODUCING IN THE FIELD PRODUCING LIVE EVENTS PRODUCING DOCUMENTARY PRODUCING MOBILE CONTENT PRODUCING ANIMATION DISTRIBUTION SUMMARY CHAPTER TWO Script Breakdown and Scheduling SCHEDULING A FILM: A STEP-BY-STEP OVERVIEW THE SCRIPT BREAKDOWN Electronically-Scheduling Software By Hand WHAT ARE THE ELEMENTS? Speaking Cast (Underline in Red) Extras/Atmosphere (Underline in Green) Silent Bits (Underline in Yellow) Props (Underline in Lime) and Set Dressing (Underline in Purple) Wardrobe (Circle the Item) Makeup (Mark with an Asterisk) Stunts (Underline in Orange) Special Effects (Underline in Blue) Sound Effects (Underline in Brown) Special Equipment (Draw a Box around the Action) Vehicles and Animals/Livestock (Underline in Pink) Music (Underline in Aqua) OTHER CATEGORIES Animal Handler Greenery Security Additional Labor Optical Effects/CGI or Visual Effects Miscellaneous Notes A NOTE ON CONTINUITY BREAKING THE SCRIPT INTO "EIGHTHS" THE BREAKDOWN SHEET THE STRIP OR PRODUCTION BOARD CREATING A SCHEDULE SCHEDULING PARAMETERS Geography Set Cast Members Day/Night EXT/INT Sequence Children Time of Year/Climate Special Effects and Stunts Second Camera/Second Unit Special Equipment PUTTING THE SCHEDULE TOGETHER SCHEDULES TO PRINT Shooting Schedule Production Schedule One-Liner Day-out-of-Days UPDATING YOUR SCHEDULE Revision Colors SUMMARY CHAPTER Three The Budget BUDGETING SOFTWARE BUDGET STRUCTURE Above-the-Line Below-the-Line (Production) Post-Production Total Other STARTING TO WRITE A BUDGET Budgeting with Software Packages Spreadsheet Budgeting PADDING THE BUDGET The Contingency FRINGE BENEFITS Taxes Payroll Fees Employee Benefits UNION VERSUS NON-UNION BECOMING SIGNATORY LOCAL VERSUS DISTANT BUDGET DISBURSEMENT AND TRACKING Disbursing Funds Disbursement Forms MANAGING THE BUDGET GOOD BUDGETING VERSUS BAD BUDGETING BUDGET LINE ITEMS SUMMARY CHAPTER four The Production Team and Staff UNIT PRODUCTION MANAGER Pre-Production Production Post-Production and Wrap Qualities of a Good UPM PRODUCTION OFFICE COORDINATOR Pre-Production Production Wrap Qualities of a Good POC LOCAL PRODUCTION COORDINATOR ASSISTANT PRODUCTION OFFICE COORDINATOR Pre-Production Production Wrap Qualities of a Good APOC TRAVEL/MOVEMENT OFFICE PRODUCTION ASSISTANTS RECEPTIONIST Qualities of Good PAs and Production Receptionists HEAD ACCOUNTANT FIRST ASSISTANT ACCOUNTANT, SECOND ASSISTANT ACCOUNTANT, AND ACCOUNTING APPRENTICE Qualities of a Good Accounting Staff TECHNICAL ADVISOR SCRIPT SUPERVISOR Pre-Production Production Wrap Qualities of a Good Script Supervisor SAFETY OFFICER/MANAGER Qualities of a Good Safety Manager PRODUCT PLACEMENT SUMMARY CHAPTER Five The Production Office THE PRODUCTION OFFICE Blocks of Rooms Ample Office Space Proximity to Restaurants and Shops Proximity to Airport Room Service Nicer Rooms for Stars Refrigerators Parking Proximity to Locations Laundry Service SETTING UP THE OFFICE Assigning Offices Making the Office Operational RUNNING THE PRODUCTION OFFICE THE MEET-AND-GREET THE WRAP PARTY WRAPPING OUT THE PRODUCTION OFFICE PRODUCTION LISTS SUMMARY CHAPTER six The Director's Team and nd Unit DIRECTOR Pre-Production Production Post-Production FIRST ASSISTANT DIRECTOR Pre-Production Production Qualities of a Good st AD THE FIRST ASSISTANT DIRECTOR-DIRECTOR RELATIONSHIP What the st AD Wants from the Director PRODUCTION MEETINGS The Concept Meeting The Big Production Meeting SECOND ASSISTANT DIRECTOR Pre-Production Production A Note on Directing Extras Qualities of a Good nd AD WALKIE-TALKIE ETIQUETTE SECOND SECOND ASSISTANT DIRECTOR AND/OR DGA TRAINEE Pre-Production Production SET PRODUCTION ASSISTANTS Pre-Production Production Qualities of a Good nd nd's, DGA Trainees and Set PA's DIRECTOR'S ASSISTANT CHOREOGRAPHER DIALOGUE COACH/DIALECT COACH STORYBOARD ARTIST SET OPERATIONS Importance of Calling Rolling and Cut At the End of the Day CLOSED SET SET PROTOCOL THE SET BOX AD PAPERWORK The Call Sheet The Production Report Second Unit DIRECTOR UNIT PRODUCTION MANAGER OR PRODUCTION OFFICE COORDINATOR FIRST ASSISTANT DIRECTOR LOCATIONS CAMERA SOUND OTHER UNITS OPERATIONS EQUIPMENT PAPERWORK SUMMARY CHAPTER SEVEN Casting, Actors, Extras, and Stunt People CASTING DEPARTMENT CASTING DIRECTOR Pre-Production LOCAL CASTING DIRECTOR EXTRAS CASTING CASTING ASSISTANTS HOW TO RUN A CASTING SESSION SCREEN TESTS REHEARSALS AND TRAINING FITTINGS WORKING WITH MINORS Tutors Working with Parents WORKING WITH ANIMALS THE TAFT-HARTLEY CATEGORIES OF ACTORS Leads Supporting Roles Extras Silent Bits and Special Ability Stand-Ins DAY PLAYERS VERSUS WEEKLY PLAYERS STUNTS STUNT COORDINATOR Pre-Production Production Wrap STUNTPERSON HOW A STUNT COULD WORK: A CAR ROLL SUMMARY CHAPTER EIGHT The Art Department PRODUCTION DESIGNER Pre-Production Production Wrap ART DIRECTOR Pre-Production Production Wrap SET DECORATOR Pre-Production Production Wrap LEAD MAN AND SWING GANG ART DEPARTMENT COORDINATOR SET DESIGNER SET DRESSER PROPS Pre-Production Production Wrap ILLUSTRATOR DRAFTSPERSON ASSISTANT PROPS ART DEPARTMENT PRODUCTION ASSISTANTS ASSISTANT TO PRODUCTION DESIGNER AND ART DIRECTOR CONSTRUCTION COORDINATOR CONSTRUCTION FOREMAN CONSTRUCTION LABORers STANDBY PAINTER STANDBY GREENSPERSON OPERATIONS SUMMARY CHAPTER NINE The Camera Department DIRECTOR OF PHOTOGRAPHY Pre-Production Production Wrap CAMERA OPERATOR Production FIRST ASSISTANT CAMERAPERSON SECOND ASSISTANT CAMERAPERSON CLAPPER AND LOADER CAMERA PRODUCTION ASSISTANT VIDEO ASSIST STEADICAM OPERATOR SPECIAL OPERATORS THE CAMERA PACKAGE OPERATIONS STOCK PROCESSING AND PRINTING DAILIES BEHIND-THE-SCENES FOR DVD TESTS SUMMARY CHAPTER TEN Grip and Electric GAFFER Pre-Production Production Wrap BEST BOY ELECTRIC ELECTRICIANS/ELECTRICS GENERATOR OPERATOR RIGGING CREW KEY GRIP Pre-Production Production Wrap BEST BOY GRIP COMPANY GRIPS DOLLY GRIP CRANE OPERATOR OPERATIONS FOR GRIP AND ELECTRIC THE GRIP PACKAGE THE LIGHTING PACKAGE LAYING DOLLY TRACK TRUCK WRAP SUMMARY CHAPTER ELEVEN The Sound Department SOUND MIXER Pre-Production Production BOOM OPERATOR CABLE PULLER/PERSON SOUND PRODUCTION ASSISTANT THE SOUND PACKAGE OPERATIONS PLAYBACK SUMMARY CHAPTER TWELVE Special Effects and Visual Effects SPECIAL EFFECTS Creature Design Creature Manufacturer Modelers Miniatures Remote Vehicles Miniature Pyrotechnics Matte Painting Traveling Matte Full-Scale Physical Effects Weather Effects SPECIAL EFFECTS COORDINATOR OPERATIONS ON SET VISUAL EFFECTS VISUAL EFFECTS PRODUCER OPERATIONS SUMMARY CHAPTER THIRTEEN The Wardrobe Department COSTUME DESIGNER Pre-Production Production Wrap WARDROBE SUPERVISOR Pre-Production Production Wrap MEN'S COSTUMER/WOMEN'S COSTUMER SEAMSTRESS WARDROBE PRODUCTION ASSISTANT ASSISTANT TO THE COSTUME DESIGNER OPERATIONS OTHER ISSUES SUMMARY CHAPTER FOURTEEN Makeup and Hair KEY MAKEUP Pre-Production Production Wrap OTHER MAKEUP PERSONNEL KEY HAIR Pre-Production Production Wrap ASSISTANT HAIR/ADDITIONAL HAIR/EXTRA HAIR OPERATIONS QUALITIES OF A GOOD MAKEUP AND HAIR TEAM SUMMARY CHAPTER FIFTEEN Locations LOCATION MANAGER Pre-Production Production Wrap ASSISTANT LOCATION MANAGER LOCATION PRODUCTION ASSISTANT LOCATION SCOUT-THE PERSON LOCATION SCOUT-THE EVENT Location Considerations THE TECHNICAL SCOUT Location Determinations on a Tech Scout MAPS LOCATION SERVICES SHOOTING ON LOCATION VERSUS IN STUDIO FACILITIES Advantages of Shooting on Location Disadvantages of Shooting on Location Advantages of Shooting

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

Descrizione libreria

ThriftBooks is a fully independent seller of used books, having sold more than 160 million used and new books since we started in 2003. Each quality used book is sorted, graded, shelved and shipped by hand by our team of dedicated employees in our seven warehouses across the US. We have the best selection of books, in the right condition and format, at everyday low prices. We also have a dedicated, US-based Customer Service team, ranked in the top three by Newsweek for Best Customer Service in 2018 and 2019, so you can shop with confidence. We support and invest in our employees, appreciate and value our customers, and truly believe in the power of the written word to educate, energize, and engage readers of all ages and interests.

Visita la pagina della libreria

Informazioni sull?azienda del venditore

Thrift Books Global LLC
18300 Cascade Ave S, Seattle, WA, 98188, U.S.A.

Condizioni di vendita e spedizione

Condizioni di vendita

We guarantee each book that we send you. If you have any problems, please contact
our dedicated customer service department. They will do everything possible to
ensure you are happy with your order.

Diritto di recesso

Se sei un consumatore, puoi esercitare il tuo diritto di recesso seguendo le istruzioni riportate di seguito. Per "consumatore" si intende qualsiasi persona fisica che agisca per fini che non rientrano nel quadro della sua attivit� commerciale, industriale, artigianale o professionale.

Informazioni relative al diritto di recesso

Diritto di recesso

Hai il diritto di recedere dal presente contratto, senza indicarne le ragioni, entro 14 giorni.

Il periodo di recesso scade dopo 14 giorni dal giorno in cui

tu acquisisci, o un terzo designato diverso dal vettore e da te acquisisce, il possesso fisico dell'ultimo bene o l'ultimo lotto o pezzo.

Per esercitare il diritto di recesso, sei tenuto a informare Books Squared, Books Squared, 3702 La Reunion Pkwy, 75212, Dallas, Texas, U.S.A., +1 253-275-2251, della tua decisione di recedere dal presente contratto tramite una dichiarazione esplicita (ad esempio lettera inviata per posta, fax o posta elettronica). A tal fine puoi utilizzare il modulo tipo di recesso, ma non e' obbligatorio. Puoi anche compilare e inviare elettronicamente il modulo tipo di recesso o qualsiasi altra esplicita dichiarazione sul nostro sito web, dalla sezione "Ordini" nel "Mio Account". Nel caso scegliessi questa opzione, ti trasmetteremo senza indugio una conferma di ricevimento su un supporto durevole (ad esempio per posta elettronica).

Per rispettare il termine di recesso, � sufficiente inviare la comunicazione relativa all'esercizio del diritto di recesso prima della scadenza del periodo di recesso.

Effetti del recesso

Se recedi dal presente contratto, ti saranno rimborsati tutti i pagamenti che hai effettuato a nostro favore, compresi i costi di consegna (ad eccezione dei costi supplementari derivanti dalla tua eventuale scelta di un tipo di consegna diverso dal tipo meno costoso di consegna standard da noi offerto). Potremo trattenere dal rimborso le somme derivanti da una diminuzione del valore del prodotto risultante da una tua non necessaria manipolazione.

I rimborsi verranno effettuati senza indebito ritardo e in ogni caso non oltre 14 giorni dal giorno in cui siamo stati informati della tua decisione di recedere dal presente contratto.

Detti rimborsi saranno effettuati utilizzando lo stesso mezzo di pagamento da te usato per la transazione iniziale, salvo che tu non abbia espressamente convenuto altrimenti; in ogni caso, non dovrai sostenere alcun costo quale conseguenza di tale rimborso. Il rimborso pu� essere sospeso fino al ricevimento dei beni oppure fino all'avvenuta dimostrazione da parte tua di aver rispedito i beni, se precedente.

Ti preghiamo di rispedire i beni o di consegnarli a Books Squared, Books Squared ATTN: Returns, 2337 Centerline Industrial Dr, 63146, St. Louis, Missouri, U.S.A., +1 253-275-2251, senza indebiti ritardi e in ogni caso entro 14 giorni dal giorno in cui hai comunicato il tuo recesso dal presente contratto. Il termine � rispettato se rispedisci i beni prima della scadenza del periodo di 14 giorni. I costi diretti della restituzione dei beni saranno a tuo carico. Sei responsabile solo della diminuzione del valore dei beni risultante da una manipolazione del bene diversa da quella necessaria per stabilire la natura, le caratteristiche e il funzionamento dei beni.

Eccezioni al diritto di recesso

Il diritto di recesso non si applica in caso di:

fornitura di giornali, periodici e riviste ad eccezione dei contratti di abbonamento per la fornitura di tali pubblicazioni;
fornitura di contenuto digitale (inclusi applicazioni, software, ebook, MP3, ecc.) mediante un supporto non materiale (per esempio un CD o un DVD) se al momento dell'inoltro dell'ordine hai espressamente consentito all'inizio dell'esecuzione accettando la perdita del diritto di recesso in conseguenza dell'inizio di esecuzione.

Modulo di recesso tipo

(Compilare e restituire il presente modulo solo se si desidera recedere dal contratto)

Destinatario: (Books Squared, Books Squared, 3702 La Reunion Pkwy, 75212, Dallas, Texas, U.S.A., +1 253-275-2251)

Con la presente io/noi (*) notifichiamo il recesso dal mio/nostro (*) contratto di vendita dei seguenti beni/servizi (*)

Ordinato il (*) /ricevuto il (*)

Nome del/dei consumatore(i)

Indirizzo del/dei consumatore(i)

Firma del/dei consumatore(i) (solo se il presente modulo � notificato in versione cartacea)

Data

(*) Cancellare la dicitura inutile.

Condizioni di spedizione

All domestic Standard and Expedited shipments are distributed from our warehouses by OSM, then handed off to the USPS for final delivery.

2-Day Shipping is delivered by FedEx, which does not deliver to PO boxes.

International shipments are tendered to the local postal service in the destination country for final delivery – we do not use courier services for international deliveries.

Tariffe di spedizione nazionale per U.S.A.

Tariffe di spedizione nazionale per U.S.A.
Quantit� dell?ordine	Da 4 a 8 giorni lavorativi	Da 4 a 8 giorni lavorativi
Primo articolo	EUR 0.00	EUR 0.00

I tempi di consegna sono stabiliti dai venditori e variano in base al corriere e al paese. Gli ordini che devono attraversare una dogana possono subire ritardi e spetta agli acquirenti pagare eventuali tariffe o dazi associati. I venditori possono contattarti in merito ad addebiti aggiuntivi dovuti a eventuali maggiorazioni dei costi di spedizione dei tuoi articoli.