The Complete Works of Horace : Odes, Epodes, Satires, Epistles, and Art. Questo articolo non è disponibile.
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Lingua: inglese
Editore: Independently Published, 2017
- Brossura
- Usato

Da: Better World Books Ltd, Dunfermline, Regno UnitoBetter World Books Ltd
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Venditore AbeBooks dal 13 ottobre 2008
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Condizione: Usato - Buono
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Descrizione dell’articolo da parte del venditore
Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Codice articolo 51887344-20
- Titolo
- The Complete Works of Horace : Odes, Epodes, Satires, Epistles, and Art
- Autore
- Flaccus, Quintus Horatius
- Editore
- Independently Published
- Anno di pubblicazione
- 2017
- Condizione
- Good
- Rilegatura
- Brossura
- Lingua
- inglese
- ISBN 10
- 1521560536
- ISBN 13
- 9781521560532
- Peso dell'articolo
- 1,043 libbre
- Dimensioni
- N/A
Quintus Horatius Flaccus (December 8, 65 BC – November 27, 8 BC), known in the English-speaking world as Horace was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." Horace also crafted elegant hexameter verses (Satires and Epistles) and caustic iambic poetry (Epodes). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings". His career coincided with Rome's momentous change from a republic to an empire. An officer in the republican army defeated at the Battle of Philippi in 42 BC, he was befriended by Octavian's right-hand man in civil affairs, Maecenas, and became a spokesman for the new regime. For some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep")but for others he was, in John Dryden's phrase, "a well-mannered court slave".
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