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Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9783035802405
Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
Informazioni sull?autore: Sami Khatib is a postdoctoral researcher at the Leuphana University Lüneburg. Holger Kuhn is a postdoctoral researcher and a research associate at the chair of art history, and part of the DFG research group "Cultures of Critique"at the Leuphana University Lüneburg. Oona Lochner is a research associate at the Institute of Philosophy and Sciences of Art and a PhD candidate at the DFG research group "Cultures of Critique" at the Leuphana University Lüneburg. Isabel Mehl  is a writer and an art critic and a PhD candidate at at the DFG research group "Cultures of Critique" at the Leuphana University Lüneburg. Beate Söntgen is professor of art history at the Leuphana University Lüneburg.
Titolo: Critique The Stakes of Form (Paperback)
Casa editrice: Diaphanes AG, Zurich
Data di pubblicazione: 2020
Legatura: Paperback
Condizione: new
Da: moluna, Greven, Germania
Condizione: New. Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidiz. Codice articolo 349242885
Quantità: Più di 20 disponibili
Da: AHA-BUCH GmbH, Einbeck, Germania
Taschenbuch. Condizione: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Codice articolo 9783035802405
Quantità: 2 disponibili
Da: preigu, Osnabrück, Germania
Taschenbuch. Condizione: Neu. Critique: The Stakes of Form | Critical Stances | Beate Söntgen | Taschenbuch | 352 S. | Englisch | 2020 | DIAPHANES AG | EAN 9783035802405 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu. Codice articolo 117942154
Quantità: 2 disponibili
Da: INDOO, Avenel, NJ, U.S.A.
Condizione: New. Brand New. Codice articolo 9783035802405
Quantità: Più di 20 disponibili
Da: Brook Bookstore On Demand, Napoli, NA, Italia
Condizione: new. Codice articolo 45ec2f4117092bf0c14d698d8a59126d
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. 2020. Paperback. . . . . . Codice articolo V9783035802405
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Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition. Codice articolo 41594739
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
Condizione: New. Codice articolo 41594739-n
Quantità: Più di 20 disponibili
Da: Revaluation Books, Exeter, Regno Unito
Paperback. Condizione: Brand New. 256 pages. 7.50x4.75x1.00 inches. In Stock. Codice articolo __3035802408
Quantità: 2 disponibili
Da: Majestic Books, Hounslow, Regno Unito
Condizione: New. pp. 375. Codice articolo 383069594
Quantità: 3 disponibili