Decomposition: Post-Disciplinary Performance

Case, Sue-Ellen; Brett, Philip; Foster, Susan Leigh

ISBN 10: 0253213746 / ISBN 13: 9780253213747

Editore: Indiana University Press, Bloomington, Indiana, 2000

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Fine.; 8vo.

Codice articolo 156107

Dati bibliografici

• Titolo: Decomposition: Post-Disciplinary Performance
• Editore: Indiana University Press, Bloomington, Indiana
• Data di pubblicazione: 2000
• Lingua: Inglese
• ISBN 10: 0253213746
• ISBN 13: 9780253213747
• Rilegatura: Softcover
• Peso: 2 libbre
• Cataloghi dei venditori:
  • Drama/Plays/Performing Arts/Shakespeare

Descrizione articolo

Riassunto

The fluid nature of performance studies and the widening embrace of the idea of performativity has produced in Decomposition: Post-Disciplinary Performance a collection of great interest that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics.

Informazioni sugli autori

1) Sue-Ellen Case is Chair of the Department of Theatre and Dance at the University of California, Davis. She has authored and edited several books in the field of feminism and performance studies, including Feminism & Theatre; the Domain-Matrix: Performing Lesbian at the End of Print Culture; and Performing Feminisms.

2) Philip Brett is Distinguished Professor of Music at the University of California, Riverside. A leader in gay studies in musicology, he is co-editor of Queering the Pitch: The New Gay and Lesbian Musicology, and he has written extensively on the music of Benjamin Britten.

3) Susan Leigh Foster, choreographer, dancer, writer, is Professor of Dance at the University of California campuses of Riverside and Davis. She is author of Reading Dancing and Choreography and Narrative and editor of Choreographing History and Corporealities.

1) Sue-Ellen Case is Chair of the Department of Theatre and Dance at the University of California, Davis. She has authored and edited several books in the field of feminism and performance studies, including Feminism & Theatre; the Domain-Matrix: Performing Lesbian at the End of Print Culture; and Performing Feminisms.

2) Philip Brett is Distinguished Professor of Music at the University of California, Riverside. A leader in gay studies in musicology, he is co-editor of Queering the Pitch: The New Gay and Lesbian Musicology, and he has written extensively on the music of Benjamin Britten.

3) Susan Leigh Foster, choreographer, dancer, writer, is Professor of Dance at the University of California campuses of Riverside and Davis. She is author of Reading Dancing and Choreography and Narrative and editor of Choreographing History and Corporealities.