The Development of the Italian Schools of Painting

Raimond Van Marle

ISBN 10: 9401516731 / ISBN 13: 9789401516730

Editore: Springer, Springer Jan 1929, 1929

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This item is printed on demand - Print on Demand Titel. Neuware -The preparation of this volume and of those that have stiU to foUow necessitated a fairly long sojourn in Great Britain and 1 feel that 1 must express my gratitude to an those with whom 1 carne in contact for the continuation of this work. Here 1 should like to convey my personal appre ciation, which 1 feeI sure is shared by every historian of art, of the kindness of Sir Robert and Lady Witt, whose collec tion, incredibly rich in reproductions of works of art, is open to students in a manner which is as cordial as it is useful. My relations with private collectors and with the officials of museums and other collections will always remain a very happy souvenir and once more 1 wish to thank more par ticularly Mr. Arthur M. Hind of the Print Room of the British Museum for all that he did to facilitate my study of this marvellous collection of drawings and prints. Sa1'1 Marca di Perugia, December I928. INTRODUCTION After the death of Cosimo de' Medici, Florence lost for a short time that perfect harmony of tendencies which united the noble seigneur with all his surroundings and with the artists and which, during the first generation of the Renaissance, was so fruitful.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 700 pp. Englisch.

Codice articolo 9789401516730

Dati bibliografici

• Titolo: The Development of the Italian Schools of Painting
• Editore: Springer, Springer Jan 1929
• Data di pubblicazione: 1929
• Lingua: Inglese
• ISBN 10: 9401516731
• ISBN 13: 9789401516730
• Rilegatura: Taschenbuch
• Condizione: Neu
• Dimensioni: 244 L x 170 A x 38 P (millimetri) 244 millimetri di larghezza per 170 millimetri di altezza per 38 millimetri di profondità
• Peso: 1187 grammi

Descrizione articolo

Riassunto

The preparation of this volume and of those that have stiU to foUow necessitated a fairly long sojourn in Great Britain and 1 feel that 1 must express my gratitude to an those with whom 1 carne in contact for the continuation of this work. Here 1 should like to convey my personal appre­ ciation, which 1 feeI sure is shared by every historian of art, of the kindness of Sir Robert and Lady Witt, whose collec­ tion, incredibly rich in reproductions of works of art, is open to students in a manner which is as cordial as it is useful. My relations with private collectors and with the officials of museums and other collections will always remain a very happy souvenir and once more 1 wish to thank more par­ ticularly Mr. Arthur M. Hind of the Print Room of the British Museum for all that he did to facilitate my study of this marvellous collection of drawings and prints. Sa1'1 Marca di Perugia, December I928. INTRODUCTION After the death of Cosimo de' Medici, Florence lost for a short time that perfect harmony of tendencies which united the noble seigneur with all his surroundings and with the artists and which, during the first generation of the Renaissance, was so fruitful.

Contenuti

I: Piero della Francesca.- II: Benozzo Gozzoli.- III: Alessio Baldovinetti, Graffione and Finiguerra.- IV: Antonio and Piero del Pollaiuolo and their followers.- V: Andrea del Verrocchio.- VI: Cosimo Rosselli, Zanobi Machiavelli, Giusto di Andrea and Fra Diamante.- Additions and Corrections.- Indices.