A Divided World. Questo articolo non è disponibile.
Lingua: inglese
Editore: Intellect, GB, 2011
- Brossura
- Nuovo

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Descrizione dell’articolo da parte del venditore
Roosevelt's New Deal introduced sweeping social, political and cultural change across the United States, which the Hollywood film community embraced enthusiastically. When the heady idealism of the 1930s was replaced by the paranoia and fear of the post-war years, Hollywood became an easy target for the anti-communists. A Divided World examines some of the important programs of the New Deal and the subsequent response of the Hollywood film community - especially in relation to social welfare, women's rights and international affairs. The book then charts what happened in Hollywood when the mood turned sour as the Cold War set in. A Divided World also provides in-depth analysis of the major works of three European directors in particular - Billy Wilder, Ernst Lubitsch and Fritz Lang. The contributions of these three are compared and contrasted with the products of mainstream Hollywood. The author utilizes extensive new archival material to shed light on the production histories of the emigres' films. This is a new interpretation of an influential period in American film history and it is sure to generate debate and further scholarship.…
Codice articolo LU-9781841504025
- Titolo
- A Divided World
- Autore
- Nick Smedley
- Editore
- Intellect, GB
- Anno di pubblicazione
- 2011
- Condizione
- New
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 1841504025
- ISBN 13
- 9781841504025
- Peso dell'articolo
- 454 grammi
The New Deal introduced sweeping social, political, and cultural change across the United States, which Hollywood embraced enthusiastically. Then, when the heady idealism of the 1930s was replaced by the paranoia of the postwar years, Hollywood became an easy target for the anticommunists. A Divided World examines some of the important programs of the New Deal and the subsequent response of the film community—especially in relation to social welfare, women’s rights, and international affairs. The book also provides an analysis of the major works of three European directors—Billy Wilder, Ernst Lubitsch, and Fritz Lang—compared and contrasted with the products of mainstream Hollywood. This is a new interpretation of an influential period in American film history and it is sure to generate further debate and scholarship.
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Informazioni sull’autore
Nick Smedley is a lecturer in film history at London University.
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