In the Eighties: Portraits from Another Time

Ridgers, Derek (Photographer)

ISBN 10: 1908211563 / ISBN 13: 9781908211569

Editore: Carpet Bombing Culture, 2017

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160 pages. 12.50x9.25x0.75 inches. In Stock.

Codice articolo __1908211563

Dati bibliografici

• Titolo: In the Eighties: Portraits from Another Time
• Editore: Carpet Bombing Culture
• Data di pubblicazione: 2017
• Lingua: Inglese
• ISBN 10: 1908211563
• ISBN 13: 9781908211569
• Rilegatura: Hardcover
• Condizione: Brand New
• Peso: 1,31 chilogrammi

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Riassunto

‘It was the best of times it was the worst of times.’ Maligned, misunderstood and fetishized the 1980’s stands as the decade when post-modern life began in the west, and London was at the epicenter of this shift. An explosion of creativity took place against a backdrop of radical social change. London became a city of tribes. The vast youth culture categories of the preceding decades shattered into shards. It was the decade that sub-culture as a way of life reached it’s zenith before giving way to it’s inevitable scene surfing conclusion. Ridgers documented this cultural moment obsessively. Punks, post-punks, cyber-punks, gothic punks, mods, hard mods, Trojan skins, racist skins, ska, reggae, dub, early electronica, synth pop, acid house, happy hardcore, Blitz Kids, New Romantics, Hip-Hop, Rap, Electro, Break Beat, Techno, Rave – these were all sub-cultural spaces with scenes attached in London in the 1980’s. Unlike now, subcultures in the 1980’s were not casual playthings – they were a way of life for their participants. They inspired profound loyalty. They were a beautiful a doomed flowering of the hope for a better world. Derek Ridger’s exquisite street portrait photography has captured this creative decade beautifully.

Dalla quarta di copertina

'It was the best of times, it was the worst of times'

Maligned, misunderstood and fetishized the 1980's stands as the decade when post-modern life began in the west, and London was at the epicenter of this shift. An explosion of creativity took place against a backdrop of radical social change. No longer would the state look after you from cradle to grave - now it was every man for himself, greed is good and the markets are the hand of god.
London became a city of tribes. The vast youth culture categories of the preceding decades shattered into shards. It was the decade that sub-culture as a way of life reached it's zenith before giving way to it's inevitable scene surfing conclusion.