The Emergence of the English Author: Scripting the Life of the Poet in Early Modern England (Paperback)

Kevin Pask

ISBN 10: 0521020921 / ISBN 13: 9780521020923

Editore: Cambridge University Press, Cambridge, 2005

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Paperback. The historical construction of literary authorship has long been of particular interest to literary scholars. Yet an important aspect of the historical emergence of the author - the literary biography or 'life of the poet' - has received scant attention. In The Emergence of the English Author, Kevin Pask studies the early life-narratives of five now-canonical English poets: Geoffrey Chaucer, Philip Sidney, Edmund Spenser, John Donne and John Milton. By attending to the changing shape of the lives of these poets, Pask produces a history of the developing conception of literary authorship in England from the late medieval period to the end of the eighteenth century, and offers a long-term sociological account of literary production. His book is the first full-scale history of the cultural construction of literary authority in early modern England. The emergence of the author and the development of literary authority, through literary biography 1400 1800. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Codice articolo 9780521020923

Dati bibliografici

• Titolo: The Emergence of the English Author: Scripting the Life of the Poet in Early Modern England (Paperback)
• Editore: Cambridge University Press, Cambridge
• Data di pubblicazione: 2005
• Lingua: Inglese
• ISBN 10: 0521020921
• ISBN 13: 9780521020923
• Rilegatura: Paperback
• Condizione: new

Descrizione articolo

Riassunto

The emergence of the author and the development of literary authority, through literary biography 1400–1800.

Recensione

'... a theoretically well-informed and valuable study.' Forum for Modern Language Studies

'This eloquently written and informative book will surely come to be regarded as essential reading for all those interested in the development of the concept of poetic authorship in early modern England.' New Theatre Quarterly