Example or Alter Ego? Aspects of the Portrait Historie in Western Art from Antiquity to the Present (Hardcover)

Jos Koldeweij

ISBN 10: 2503568165 / ISBN 13: 9782503568164

Editore: Brepols N.V., Turnhout, 2016

Riguardo questo articolo

Hardcover. The present collection of essays on the subject of the portrait historie treats examples of this subgenre of portraiture stemming from Classical Antiquity, medieval times, the Renaissance and Baroque period, but also from Romantic era and the modern movements of the nineteenth and twentieth centuries. A portrait historie can be described as an artistic rendering of an individual in the guise of a historical figure. In a broader and more modern sense it can be understood as a representation or figuration of the self which appropriates and incorporates visual metaphors by means of allegorisation and identification. This book is the result of a research project of the Art History Department in collaboration with the Archaeology Department of the Faculty of Arts of the Radboud University Nijmegen. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Codice articolo 9782503568164

Dati bibliografici

• Titolo: Example or Alter Ego? Aspects of the Portrait Historie in Western Art from Antiquity to the Present (Hardcover)
• Editore: Brepols N.V., Turnhout
• Data di pubblicazione: 2016
• Lingua: Inglese
• ISBN 10: 2503568165
• ISBN 13: 9782503568164
• Rilegatura: Hardcover
• Condizione: new

Descrizione articolo

Riassunto

The present collection of essays on the subject of the portrait historie treats examples of this subgenre of portraiture stemming from Classical Antiquity, medieval times, the Renaissance and Baroque period, but also from Romantic era and the modern movements of the nineteenth and twentieth centuries. A portrait historie can be described as an artistic rendering of an individual in the guise of a historical figure. In a broader and more modern sense it can be understood as a representation or figuration of the self which appropriates and incorporates visual metaphors by means of allegorisation and identification. This book is the result of a research project of the Art History Department in collaboration with the Archaeology Department of the Faculty of Arts of the Radboud University Nijmegen.