Exploiting East Asian cinemas: Genre, Circulation, Reception. Questo articolo non è disponibile.Exploiting East Asian cinemas: Genre, Circulation, Reception

The first book to give rigorous study to the concept of East Asian exploitation cinema as a product of global circulation and popular perception, both inside and outside of East Asia.

Ken Provencher has taught film and media studies at Josai International University in Tokyo, Japan, and Loyola Marymount University, Los Angeles. His work focuses on the transnational Hollywood industry, especially its relation to East Asian media industries and popular cultures. He has contributed to The Companion to Wong Kar-wai, The Quarterly Review of Film and Video, and The Velvet Light Trap, among others.

Mike Dillon teaches film and media studies at California State University, Fullerton. His research focuses on the relationship between media cultures and transnational human mobility. His publications include essays in Journal of South Asian Film and Media Studies, Mediascape, and Reconstruction, among other; and chapters in the anthologies Negative Cosmopolitanisms and Transnational Horror Cinema.