Genre and Second Language Writing (The Michigan Series on Teaching Multilingual Writers)

Hyland, Ken

ISBN 10: 0472030140 / ISBN 13: 9780472030149

Editore: Michigan ELT, 2004

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Dati bibliografici

• Titolo: Genre and Second Language Writing (The Michigan Series on Teaching Multilingual Writers)
• Editore: Michigan ELT
• Data di pubblicazione: 2004
• Lingua: Inglese
• ISBN 10: 0472030140
• ISBN 13: 9780472030149
• Rilegatura: paperback
• Condizione: Acceptable
• Condizione della sovraccoperta: sovraccoperta

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Riassunto

<div>Second language students not only need strategies for drafting and revising to write effectively, but also a clear understanding of genre so that they can appropriately structure their writing for various contexts. Over that last decade, increasing attention has been paid to the notion of genre and its central place in language teaching and learning. <i>Genre and Second Language Writing e</i>nters into this important debate, providing an accessible introduction to current theory and research in the area of written genres-and applying these understandings to the practical concerns of today's EFL/ESL classroom. Each chapter includes discussion and review questions and small-scale practical research activities. Like the other texts in the popular Michigan Series on Teaching Multilingual Writers, this book will interest ESL teachers in training, teacher educators, current ESL instructors, and researchers and scholars in the area of ESL writing.<br></div>

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Genre and Second Language Writing

By Ken Hyland

The University of Michigan Press

Copyright © 2004 University of Michigan Press
All rights reserved.

ISBN: 978-0-472-03014-9

Contents

Series Foreword by Diane Belcher and Jun Liu, 
Introduction, 
1. Why Genre?, 
2. Perspectives on Genre, 
3. Genre Knowledge, 
4. Organizing a Genre-Based Writing Course, 
5. Texts, Tasks, and Implementation, 
6. Genre, Feedback, and Assessment, 
7. Doing Genre Analysis, 
Bibliography, 
Subject Index, 
Author Index, 

CHAPTER 1

Why Genre?

Genre is a term for grouping texts together, representing how writers typically use language to respond to recurring situations. For many people, it is an intuitively attractive concept that helps to organize the common-sense labels we use to categorize texts and the situations in which they occur. The concept of genre is based on the idea that members of a community usually have little difficulty in recognizing similarities in the texts they use frequently and are able to draw on their repeated experiences with such texts to read, understand, and perhaps write them relatively easily. This is, in part, because writing is a practice based on expectations: the reader's chances of interpreting the writer's purpose are increased if the writer takes the trouble to anticipate what the reader might be expecting based on previous texts he or she has read of the same kind.

Hoey (2001) likens readers and writers to dancers following each other's steps, each assembling sense from a text by anticipating what the other is likely to do by making connections to prior texts. While writing, like dancing, allows for creativity and the unexpected, established patterns often form the basis of any variations. We know immediately, for example, whether a text is a recipe, a joke, or a love letter and can respond to it immediately and even construct a similar one if we need to. As teachers, we are able to engage in more specialized genres such as lesson plans, student reports, and class examinations, bringing a degree of expertise to the ways we understand or write familiar texts. In more precise terms, we possess a schema of prior knowledge that we share with others and can bring to the situations in which we read and write to express ourselves efficiently and effectively.

Today, genre is one of the most important and influential concepts in language education, signifying what Ann Johns (2002, p. 3) has recently referred to as "a major paradigm shift" in literacy studies and teaching. We will return to a more detailed discussion of what genre is in chapter 2, but it might be useful here, at the beginning of a book about genre, to ask why there has been such a shift.

What is it about genre that gives it such a central place in current writing theory and teaching? This chapter sets out to answer this question, raising some of the main advantages and problems with genre and placing it in the context of current L2 writing teaching.

Genre-Based Writing Teaching

Genre-based teaching is concerned with what learners do when they write. An understanding of the concept allows writing teachers to identify the kinds of texts that students will have to write in their target occupational, academic, or social contexts and to organize their courses to meet these needs. Curriculum materials and activities are therefore devised to support learners by drawing on texts and tasks directly related to the skills they need to participate effectively in the world outside the ESL classroom.

For writing teachers, ge