The Golden Thread. Questo articolo non è disponibile.
Lingua: inglese
Editore: Liverpool University Press, GB, 2024
- Brossura
- Nuovo

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Descrizione dell’articolo da parte del venditore
Sold as a multi-volume set - the individual volumes are also available for purchase.This two-volume edited collection illuminates the valuable counter-canon of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance.Volume Two contains chapters focused on plays by sixteen Irish women playwrights produced between 1992 and 2016, highlighting the explosion of new work by contemporary writers. The plays in this volume explore women's experiences at the intersections of class, sexuality, disability, and ethnicity, pushing at the boundaries of how we define not only Irish theatre, but Irish identity more broadly.CONTRIBUTORS: Nelson Barre, Mary Burke, David Clare, Shonagh Hill, *Mária Kurdi, **José Lanters, **Fiona McDonagh, Dorothy Morrissey, Justine Nakase, Brian Ó Conchubhair, Brenda O'Connell, Shane O'Neill, Graham Price, **Siobhán Purcell, *Carole Quigley, Sarah Jane Scaife, Melissa Sihra, Clare Wallace**.…
Codice articolo LU-9781802073737
- Titolo
- The Golden Thread
- Autore
- David Clare
- Editore
- Liverpool University Press, GB
- Anno di pubblicazione
- 2024
- Condizione
- New
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 1802073736
- ISBN 13
- 9781802073737
Volume Two contains chapters focused on plays by sixteen Irish women playwrights produced between 1992 and 2016, highlighting the explosion of new work by contemporary writers. The plays in this volume explore women's experiences at the intersections of class, sexuality, disability, and ethnicity, pushing at the boundaries of how we define not only Irish theatre, but Irish identity more broadly.
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Informazioni sull’autore
Fiona McDonagh is Lecturer in Drama and Theatre Studies at Mary Immaculate College, University of Limerick.
Justine Nakase is Adjunct Lecturer at Portland State University.
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