Graphic Design : Reproduction and Representation since 1800. Questo articolo non è disponibile.
5 valutazioni di Goodreads
Lingua: inglese
Editore: Manchester University Press, 1997
Serie: Libro 58 di 60 - Studies in Design and Material Culture
- Brossura
- Usato
Da: Better World Books Ltd, Dunfermline, Regno UnitoBetter World Books Ltd
Venditore con 5 stelle
Venditore AbeBooks dal 13 ottobre 2008
Non disponibile
Brossura
Condizione: Usato - Buono
EUR 5,72
Descrizione dell’articolo da parte del venditore
Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Codice articolo GRP31307123
- Titolo
- Graphic Design : Reproduction and Representation since 1800
- Autore
- Crowley, David, Jobling, Paul
- Editore
- Manchester University Press
- Anno di pubblicazione
- 1997
- Condizione
- Good
- Rilegatura
- Brossura
- Lingua
- inglese
- ISBN 10
- 0719044677
- ISBN 13
- 9780719044670
- Peso dell'articolo
- 0,5 libbre
- Dimensioni
- N/A
- Serie
- Libro 58 di 60: Studies in Design and Material Culture
This critical survey of the trends and key issues involved in graphic design over the last 200 years provides a complete introduction to this ever-changing subject.
The international development of magazine, advertising and poster design is traced within a chronological framework from the illustrated journalism of the nineteenth century, to graphic images produced by celebrated artists such as Daumier and Toulouse Lautrec, to late-twentieth century alternative practices: pop, sub- & counter-cultural graphics and the well-known work of Neville Brody. Combining new research and a critical approach with an accessible writing style, this is an ideal introduction to the wide ranging and complex field of graphics. In the process of examining the relationship between word and image in the public domain, the authors cover issues of gender, class, race, hegemony and incorporation.
The international development of magazine, advertising and poster design is traced within a chronological framework from the illustrated journalism of the nineteenth century, to graphic images produced by celebrated artists such as Daumier and Toulouse Lautrec, to late-twentieth century alternative practices: pop, sub- & counter-cultural graphics and the well-known work of Neville Brody. Combining new research and a critical approach with an accessible writing style, this is an ideal introduction to the wide ranging and complex field of graphics. In the process of examining the relationship between word and image in the public domain, the authors cover issues of gender, class, race, hegemony and incorporation.
"Riassunto" può appartenere a un’altra edizione di questo titolo.