A History of Three-Dimensional Cinema

David A. Cook

ISBN 10: 1839980125 / ISBN 13: 9781839980121

Editore: Anthem Press, GB, 2021

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A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839-1892) to stereoscopic cinema's "long novelty period" (1893-1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953-1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films-for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)-until audiences tired of the process; the anaglyphic revival of 1970-1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986-2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron's Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.

Codice articolo LU-9781839980121

Dati bibliografici

• Titolo: A History of Three-Dimensional Cinema
• Editore: Anthem Press, GB
• Data di pubblicazione: 2021
• Lingua: Inglese
• ISBN 10: 1839980125
• ISBN 13: 9781839980121
• Rilegatura: Hardback
• Condizione: New
• Peso: 454 grammi

Descrizione articolo

Riassunto

A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.

Informazioni sull'autore

David A. Cook is a Professor of Media Studies at the University of North Carolina at Greensboro, USA, and the author of A History of Narrative Film (2016).