Hit Me, Fred: Recollections of a Sideman. Questo articolo non è disponibile.
Lingua: inglese
Editore: Duke University Press, 2005
- Brossura
- Nuovo

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Venditore AbeBooks dal 27 febbraio 2001
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Descrizione dell’articolo da parte del venditore
The famous trombonist and arranger from the James Brown band and Parliament-Funkadelic tells his own story. Num Pages: 344 pages, 57 b&w photos. BIC Classification: AVGJ. Category: (P) Professional & Vocational. Dimension: 236 x 156 x 28. Weight in Grams: 586. . 2005. Paperback. . . . .
Codice articolo V9780822335481
- Titolo
- Hit Me, Fred: Recollections of a Sideman
- Autore
- Fred Wesley
- Editore
- Duke University Press
- Anno di pubblicazione
- 2005
- Condizione
- New
- Rilegatura
- Brossura
- Lingua
- inglese
- ISBN 10
- 0822335484
- ISBN 13
- 9780822335481
Wesley’s distinctive sound reverberates through rap and hip-hop music today. In Hit Me, Fred, he recalls the many musicians whose influence he absorbed, beginning with his grandmother and father-both music teachers-and including mentors in his southern Alabama hometown and members of the Army band. In addition to the skills he developed working with James Brown, George Clinton, Bootsy Collins, and the many talented musicians in their milieu, Wesley describes the evolution of his trombone playing through stints with the Ike and Tina Turner Revue, Hank Ballard, and Count Basie’s band. He also recounts his education in the music business, particularly through his work in Los Angeles recording sessions.
Wesley is a virtuoso storyteller, whether he's describing the electric rush of performances when the whole band is in the groove, the difficulties of trying to make a living as a rhythm and blues musician, or the frustrations often felt by sidemen. Hit Me, Fred is Wesley’s story of music-making in all its grit and glory.
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Informazioni sull’autore
Fred Wesley Jr. is an accomplished trombonist renowned for his contributions to funk and jazz music over the past several decades. Working for James Brown from 1968–75, he was instrumental in the production of such milestone recordings as The Payback; Doing It to Death; Get on the Good Foot; and Say It Loud, I’m Black and I’m Proud, as well as the scoring of the soundtracks to Black Caesar and Slaughter’s Big Rip-Off. In the 1990s Wesley toured extensively with Pee Wee Ellis and Maceo Parker, before forming his own band. Wesley continues to tour and play music. He also writes, lectures, and conducts workshops on jazz and funk music. Wesley lives in South Carolina.
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