Holy Winter 20/21 (Paperback)

Maria Stepanova

ISBN 10: 1780376952 / ISBN 13: 9781780376950

Editore: Bloodaxe Books Ltd, Tyne and Wear, 2024

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Paperback. This book-length poem one of Russia's most important and outspoken contemporary poets,written in a frenzy of poetic inspiration, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment.In early 2020, the outbreak of Covid-19 cut short Maria Stepanova's stay in Cambridge. Back in Russia, she spent the ensuing months in a state of torpor the world had withdrawn from her, time had 'gone numb'. When she awoke from this state, she began to read Ovid, and the shock of the pandemic dissolved into the voices and metaphors of an epochal experience.In her poetry, Stepanova takes in the confusing signals from social networks and the media, opening herself up to the voices of kindred poets like Sylvia Plath, Inger Christensen and Anne Carson. In her prose, Stepanova searches for the essence of the moment in the maelstrom of historical time. As an essayist, she traces the reactions of her critical consciousness; taken together, her politically alert commentaries form a chronicle of the troubled present. Russia's Maria Stepanova is a poet, novelist, essayist, journalist and the author of ten poetry collections and three books of essays. Her book-length poem Holy Winter 20/21, written in a frenzy during the pandemic, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Codice articolo 9781780376950

Dati bibliografici

• Titolo: Holy Winter 20/21 (Paperback)
• Editore: Bloodaxe Books Ltd, Tyne and Wear
• Data di pubblicazione: 2024
• Lingua: Inglese
• ISBN 10: 1780376952
• ISBN 13: 9781780376950
• Rilegatura: Paperback
• Condizione: new

Descrizione articolo

Riassunto

The outbreak of Covid-19 cut short Maria Stepanova’s stay in Cambridge. Back in Russia, she spent the ensuing months in a state of torpor – the world had withdrawn from her, time had ‘gone numb’. When she awoke from this state, she began to read Ovid, and the shock of the pandemic dissolved into the voices and metaphors of an epochal experience. Her book-length poem Holy Winter 20/21, written in a frenzy of poetic inspiration, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment. Stepanova finds sublime imagery for the process of falling silent, interweaving love letters and travelogues, Chinese verse and Danish fairy tales into a polyphonic evocation of frozen and slowly thawing time. Following her previous book of poetry, War of the Beasts and the Animals – in part a response to the Donbas conflict – her book’s title is even more prophetic now, echoing a famous patriotic Soviet song from 1941, ‘a holy war is underway’. Born in 1972, Maria Stepanova – as poet and essayist – was a highly influential figure for many years in Moscow’s cosmopolitan literary scene until its suppression along with civil liberties and dissent under Putin’s latter-day reign of terror. Her first prose work In Memory of Memory established her internationally as one of the most important intellectual voices of contemporary Russia. Her poetry, which here echoes verses by Pushkin and Lermontov, Mandelstam and Tsvetaeva, is not hermetic. She takes in the confusing signals from social networks and the media, opening herself up to the voices of kindred poets like Sylvia Plath, Inger Christensen and Anne Carson. She has moreover mastered modern poetry’s rich repertoire of forms and moves effortlessly between the linguistic and traditional spaces of Russian, European and transatlantic literature. In her prose, Stepanova searches for the essence of the moment in the maelstrom of historical time. As an essayist, she traces the reactions of her critical consciousness; taken together, her politically alert commentaries form a chronicle of the troubled present.

Informazioni sull?autore

Maria Stepanova is a poet, novelist, essayist, journalist and the author of ten poetry collections and three books of essays. Sasha Dugdale's translation of her book-length poem Holy Winter 20/21 was published by Bloodaxe in the UK and Ireland in 2024. Her earlier book War of the Beasts and the Animals (Bloodaxe Books, 2021), also translated by Sasha Dugdale, was the first English translation of her poetry. Both Holy Winter 20/21 and War of the Beasts and the Animals were Poetry Book Society Translation Choices and winners of PEN Translates awards, and War of the Beasts and the Animals was also shortlisted for the Warwick Prize for Women in Translation 2021. Maria Stepanova's documentary novel In Memory of Memory won Russia's Big Book Award in 2018 and was published in English in Sasha Dugdale's translation by Fitzcarraldo in the UK and New Directions in the US in 2021. In 2023 she was awarded the Berman Literature Prize for In Memory of Memory. It was also shortlisted for the 2021 International Booker Prize, the Warwick Prize for Women in Translation 2021, and the 2022 James Tait Black Prize for Biography. A third book by her, The Voice Over: Poems and Essays, edited by Irina Shevelenko, was published by Columbia University Press in the US in its Russian Library series in 2021.

Maria Stepanova has received several Russian and international literary awards (including the prestigious Andrey Bely Prize and Joseph Brodsky Fellowship). In 2022 she was awarded the Leipzig Book Prize for European Understanding 2023 for another book of poetry, Mädchen ohne Kleider (Girls Without Clothes), published in German by Suhrkamp Verlag. She founded and was editor-in-chief of the online independent crowd-sourced journal Colta.ru, which engaged with the cultural, social and political reality of contemporary Russia until the full-scale Russian invasion of Ukraine when all dissenting media in Russia were forced to shut down. As a prominent critic of Putin’s regime, she had to leave Russia and is now living in exile.

Sasha Dugdale was editor of Modern Poetry in Translation from 2013 to 2017, and is co-editor of the anthology Centres of Cataclysm: Celebrating Fifty Years of Modern Poetry in Translation (Bloodaxe Books/MPT, 2016). She has translated many works of Russian poetry, prose and drama, including Tatiana Shcherbina's Life Without: Selected Poetry & Prose 1992-2003 (Bloodaxe Books, 2004), Elena Shvarts’s Birdsong on the Seabed (Bloodaxe Books, 2008), Chekhov’s The Cherry Orchard (BBC Radio 3, 2008), and the short story collection Moscow Tales (Oxford University Press, 2013), and has published five poetry collections with Oxford/Carcanet, The Estate (2007), Notebook (2003), Red House (2011), Joy (2017), and Deformations (2020), which was shortlisted for the T.S. Eliot Prize. Her translation of Elena Shvarts' Birdsong on the Seabed was shortlisted for both the Rossica Translation Prize and the Corneliu M. Popescu Award for European Poetry in Translation. She won the Forward Prize for Best Single Poem in 2016, and received a Cholmondeley Award in 2017.