Home on the Rails: Women, the Railroad, and the Rise of Public Domesticity (Gender and American Culture)

Richter, Amy G.

ISBN 10: 080785591X / ISBN 13: 9780807855911

Editore: The University of North Carolina Press, 2005

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The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.

Codice articolo BSM.18OW9

Dati bibliografici

• Titolo: Home on the Rails: Women, the Railroad, and the Rise of Public Domesticity (Gender and American Culture)
• Editore: The University of North Carolina Press
• Data di pubblicazione: 2005
• Lingua: Inglese
• ISBN 10: 080785591X
• ISBN 13: 9780807855911
• Rilegatura: Brossura
• Condizione: acceptable

Descrizione articolo

Riassunto

Recognizing the railroad's importance as both symbol and experience in Victorian America, Amy G. Richter follows women travelers onto trains and considers the consequences of their presence there.

For a time, Richter argues, nineteenth-century Americans imagined the public realm as a chaotic and dangerous place full of potential, where various groups came together, collided, and influenced one another, for better or worse. The example of the American railroad reveals how, by the beginning of the twentieth century, this image was replaced by one of a domesticated public realm--a public space in which both women and men increasingly strove to make themselves "at home."

Through efforts that ranged from the homey touches of railroad car decor to advertising images celebrating female travelers and legal cases sanctioning gender-segregated spaces, travelers and railroad companies transformed the railroad from a place of risk and almost unlimited social mixing into one in which white men and women alleviated the stress of unpleasant social contact. Making themselves "at home" aboard the trains, white men and women domesticated the railroad for themselves and paved the way for a racially segregated and class-stratified public space that freed women from the home yet still preserved the railroad as a masculine domain.

Dalla quarta di copertina

Richter describes the railroad in nineteenth-century America as a site and symbol of the shifts in the balance of gender, race, and class in American culture.