TV Horror : Investigating the Darker Side of the Small Screen. Questo articolo non è disponibile.TV Horror : Investigating the Darker Side of the Small Screen

Horror is a universally popular, pervasive TV genre, with shows like True Blood, Being Human, The Walking Dead and American Horror Story making a bloody splash across our television screens. This complete, utterly accessible, sometimes scary new book is the definitive work on TV horror. It shows how this most adaptable of genres has continued to be a part of the broadcast landscape, unsettling audiences and pushing the boundaries of acceptability. The authors demonstrate how TV Horror continues to provoke and terrify audiences by bringing the monstrous and the supernatural into the home, whether through adaptations of Stephen King and classic horror novels, or by reworking the gothic and surrealism in Twin Peaks and Carnivale. They uncover horror in mainstream television from procedural dramas to children's television and, through close analysis of landmark TV auteurs including Rod Serling, Nigel Kneale, Dan Curtis and Stephen Moffat, together with case studies of such shows as Dark Shadows, Dexter, Pushing Daisies, Torchwood, and Supernatural, they explore its evolution on television.
This book is a must-have for those studying TV Genre as well as for anyone with a taste for the gruesome and the macabre.

Stacey Abbott is Reader in Film and Television Studies at University of Roehampton London, UK.Her most recent publications include Undead Apocalypse: Vampires and Zombies in the 21st Century (2016), TV Horror: Investigating the Dark Side of the Small Screen (I.B. Tauris,2013), co-written with Lorna Jowett, and Supernatural: TV Goes to Hell (2011), co-edited with David Lavery from Middle Tennessee State University. televisual vampire.
She was the Series Editor for the Investigating Cult TV series at I.B. Tauris, comprising sixteen books. Between 2014-2016, she was the President of the Whedon Studies Association and before joining the University of Roehampton, she worked as an Education Officer for the British Film Institute, organising lectures, seminars and conferences as part of the public cinema programme at BFI Southbank.