Identity, Intertextuality, and Performance in Early Modern Song Culture

Wim van Anrooij

ISBN 10: 9004314970 / ISBN 13: 9789004314979

Editore: Brill Apr 2016, 2016

Riguardo questo articolo

Neuware - Singing together is a tried and true method of establishing and maintaining a group's identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture. Contributors are: Ingrid Åkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal.

Codice articolo 9789004314979

Dati bibliografici

• Titolo: Identity, Intertextuality, and Performance in Early Modern Song Culture
• Editore: Brill Apr 2016
• Data di pubblicazione: 2016
• Lingua: Inglese
• ISBN 10: 9004314970
• ISBN 13: 9789004314979
• Rilegatura: Buch
• Condizione: Neu
• Dimensioni: 236 L x 155 A x 28 P (millimetri) 236 millimetri di larghezza per 155 millimetri di altezza per 28 millimetri di profondità
• Peso: 703 grammi

Descrizione articolo

Riassunto

Singing together is a tried and true method of establishing and maintaining a group’s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture.

Contributors are: Ingrid Åkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal.

Informazioni sull?autore

Dieuwke van der Poel, Ph.D. (1989), Utrecht University, is Associate Professor at that university. She co-edited an edition of the Antwerp Songbook (2004) and Women’s Writing from the Low Countries 1200-1875 (2010).

Louis Peter Grijp, Ph.D. (1991), Meertens Institute, Amsterdam and Utrecht University, is Professor of Research in Dutch song culture. He has published numerous articles and books on song culture. He is founder of the Dutch Song Database.

Wim van Anrooij, Ph.D. (1990), University of Leiden, is Professor of Dutch literature up to Romanticism at that university. He has published monographs and articles on Middle Dutch literature, and co-edited Early Modern Medievalisms: The Interplay Between Scholarly Reflection and Artistic Production (Brill, 2010).