This collection argues that Roland Barthes has much to teach us about intermediality. Analysing works by Breton, Hitchcock, Sebald, Spielberg and Tawada and more, the book demonstrates that Barthes’ critical practice provides a means of exploring crucial issues at the intersection image and text through history.
Fabien Arribert-Narce is Senior Lecturer in French and Comparative Literature at the University of Edinburgh. He is the author of Photobiographies: pour une écriture de notation de la vie (2014) and (co-)editor of L’Autobiographie entre autres (2013), Réceptions de la culture japonaise en France depuis 1945 (2016), The Pleasure in/of the Text (2021), Michaël Ferrier: un écrivain du corail (2021), and «Le quotidian au Japon et en Occident» (Revue des Sciences Humaines, vol. 345, March 2022).
Alex Watson is Associate Professor in the School of Arts and Letters, Meiji University, Tokyo, Japan. His major publications include Romantic Marginality (2012) and British Romanticism in Asia (2019), co-edited with Laurence Williams.