Riassunto
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 67. Chapters: Tarot, Roman Inquisition, Aldine Press, Andrea Doria, Italian Renaissance painting, Thematic development of Italian Renaissance painting, Roman Academies, Franciscus Patricius, Via della Scrofa 117, Rome, Palazzo Torlonia, Cortile del Belvedere, Giovanni II Bentivoglio, Relazione, De viris illustribus, Giacomo Castelvetro, Italian Renaissance interior design, Palazzo della Cancelleria, Sprezzatura, Cinquecento, Signoria, Quattrocento, Bonfire of the Vanities, Strozzi family, Camera degli Sposi, Tondo, The Mythic Tarot, Treaty of Lodi, Giovanni Andrea Doria, André Chastel, Stipo a bambocci, Venetian school, Antonio Viviani, Antonio de Venafro, Sacred conversation, Giardino Bardini, Gonfaloniere, Romanism, Amongst the Medici, Forlivese school of art, Paragone. Excerpt: Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring within the area of present-day Italy, which was at that time divided into many political areas. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating both artistic and philosophical ideas. The city that is renowned as the birthplace of the Renaissance and in particular, Renaissance painting, is Florence. A detailed background is given in the companion articles Renaissance and Renaissance architecture. Italian Renaissance painting can be divided into four periods: the Proto-Renaissance, 1300-1400; the Early Renaissance, 1400-1475; the High Renaissance, 1475-1525, and Mannerism, 1525-1600. These dates are approximations rather than specific points because the lives of individual artists and their personal styles overlapped ...
Reseña del editor
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 67. Chapters: Tarot, Roman Inquisition, Aldine Press, Andrea Doria, Italian Renaissance painting, Thematic development of Italian Renaissance painting, Roman Academies, Franciscus Patricius, Via della Scrofa 117, Rome, Palazzo Torlonia, Cortile del Belvedere, Giovanni II Bentivoglio, Relazione, De viris illustribus, Giacomo Castelvetro, Italian Renaissance interior design, Palazzo della Cancelleria, Sprezzatura, Cinquecento, Signoria, Quattrocento, Bonfire of the Vanities, Strozzi family, Camera degli Sposi, Tondo, The Mythic Tarot, Treaty of Lodi, Giovanni Andrea Doria, André Chastel, Stipo a bambocci, Venetian school, Antonio Viviani, Antonio de Venafro, Sacred conversation, Giardino Bardini, Gonfaloniere, Romanism, Amongst the Medici, Forlivese school of art, Paragone. Excerpt: Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring within the area of present-day Italy, which was at that time divided into many political areas. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating both artistic and philosophical ideas. The city that is renowned as the birthplace of the Renaissance and in particular, Renaissance painting, is Florence. A detailed background is given in the companion articles Renaissance and Renaissance architecture. Italian Renaissance painting can be divided into four periods: the Proto-Renaissance, 1300-1400; the Early Renaissance, 1400-1475; the High Renaissance, 1475-1525, and Mannerism, 1525-1600. These dates are approximations rather than specific points because the lives of individual artists and their personal styles overlapped ...
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