The Other Ones. Questo articolo non è disponibile.The Other Ones

In “The Net,” a girl and her mother arrive at their secluded cabin on a frozen lake to find their fishing net has been attacked, a massive hole ripped through the middle. After the net has been mended and the night’s catch eaten, the daughter sits awake playing with a bit of leftover netting string. When she was a girl, her grandmother taught her to make string figures—just as her mother had taught her—a game played by Inuit for generations, but a game not to be taken lightly . . . as the daughter plays late into the night, and the mother sleeps, other monstrous forces are soon awakened from beneath the frozen lake.

In “Before Dawn” a young boy runs out onto the tundra to play with his new friend by his side, venturing far beyond his mother’s rule that he not stray past the inuksuk on the horizon. The boy’s friend beckons him farther and farther, and the farther they get from home, the more the friend seems to change . . . until he is no longer human at all. Horrified, the boy listens to the creature’s proposition: return home before dawn, or be lost forever to the other side . . .

Complemented by haunting illustrations from Toma Feizo Gas, The Other Ones is a fresh take on modern horror by an exciting new Inuit voice.

An Inuk raised in Denendeh, Jamesie Fournier's work has appeared in Inuit Art Quarterly, Red Rising magazine, Northern Public Affairs, and the anthology Coming Home: Stories from the Northwest Territories. His brother, Zebede Tulugaq Evaluardjuk-Fournier, illustrated his last two projects with Inuit Art Quarterly. Jamesie was guest author at the 2018 & 2020 Northwords Writers Festivals and a runner up for 2018 Sally Manning Award for Indigenous Creative Non-Fiction. He lives in Iqaluit, Nunavut.

rom his early days of reading sci-fi and fantasy books, Toma Feizo Gas has been fascinated with the dramatic scenes portrayed on the covers of those books. There started his lifelong love affair with telling stories through pictures. Today, Toma’s key influence remains the people in these stories, the motives that drive us, and the decisions that shape us, propelling him to craft bold visual statements and contrast in his own art. As a career illustrator, his work can be found gracing the pages and covers of titles such as Dungeons & Dragons, Pathfinder, the Star Wars and Mutant Chronicles role playing games, as well as several upcoming fantasy novel series.