The Jazz Loft Project. Questo articolo non è disponibile.The Jazz Loft Project

Reissue of an acclaimed collection of images from photographer W. Eugene Smith’s time in a New York City loft among jazz musicians.
 
In 1957, Eugene Smith walked away from his longtime job at Life and the home he shared with his wife and four children to move into a dilapidated, five-story loft building at 821 Sixth Avenue in New York City’s wholesale flower district. The loft was the late-night haunt of musicians, including some of the biggest names in jazz—Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them. Here, from 1957 to 1965, he made nearly 40,000 photographs and approximately 4,000 hours of recordings of musicians. Smith found solace in the chaotic, somnambulistic world of the loft and its artists, and he turned his documentary impulses away from work on his major Pittsburg photo essay and toward his new surroundings.
 
Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of this book, no one had seen his extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tales.
 

W. Eugene Smith (1918–78) was an American photographer who worked for Life from 1939 to 1954 and thereafter was affiliated with the Magnum photo agency. Several posthumous overviews of Smith’s work have been published, including The Big Book, a retrospective of his work as he designed it, and a biography, Let Truth Be the Prejudice: W. Eugene Smith, His Life and Photographs, by Ben Maddow. Sam Stephenson is a writer from North Carolina now based in College Station, TX. He is the author of a biography of Smith, Gene Smith’s Sink, as well as Dream Street: W. Eugene Smith’s Pittsburgh Project and The Jazz Loft Project: The Photographs and Tapes of W. Eugene Smith from 821 Sixth Avenue. He is also the ghostwriter of Don't Tell Anybody the Secrets I Told You, a forthcoming memoir by Lucinda Williams. In 2019, he won a Guggenheim Fellowship for his work in progress about the band Jane's Addiction.