Join Kate on a journey around her, from home into the park, walking her dog. She has to cross a road on a 'zebra' crossing with her mum. There are many different ways to go in the park and thye firsdt thing she comes across are the squirrels. She plays in the leaves and jumps into the puddles, splash, splosh, and then checks out the frogs in the small pond. There are small ducks to feed and dragonflies to play with too. Kate searches high and low for the butterflies she knows must be hiding somewhere. Count from one to ten as you turn pages and count objects in the picture. She does find the butterflies and there are a few bees buzzing around as well.

The book is small enough for little hands, has bright glossy colours, is easy to read and has lots of things to see and spot. The colourful illustrations by Rachel burst out of each page and how they interact with numbers and counting makes this book perfect for learning. Additionally the reader will learn more about some of the animals around us everyday and in our local parks.

Highly recomended for 2-6 year olds, parents and carers will enjoy a positive experience of playing and learning with their child.

Informazioni sugli autori

Ruth was born on the last day of 1933 in Derry, Northern Ireland, the eldest child of Dr Thomas Finnegan, Professor of Classics and President of Magee College and Agnes Finnegan n�e Campbell, teacher and writer. Largely brought up in Derry, she spent most of the war years in Donegal, 13 months of it in a small cottage in a 'gentle' (faerie) wood, an experience vividly described in her mother's entrancing 'Reaching for the Fruit' and her own semi-autobiographical novel, 'Black Inked Pearl'. This had a lasting influence on her life. In order to avoid an upbringing tainted by Ulster religious divisions, on their return to Derry in 1945 her parents sent her to a Quaker school in York (the Mount) where the experience of memorising and repeating daily 'texts' from the Bible and other literature, shaped much of her future writing, most directly in her monograph Why do we quote? and her novel Black Inked Pearl.This was followed by four joyous years (1952-56) at Somerville College Oxford, again reflected in the novel, in the delightful study of classics (a degree that then combined literature, history and philosophy), ending, to her amazement, with one of the best classics firsts of her year. After two years teaching (and repaying her student debt) at the leading public school Malvern Girls College (now Malvern St James) she decided to return to the intellectual life but this time, much though she would always love the Greek and Roman cultures, to follow her instinct, honed partly by her anti-colonialist and broadly left-wing stance, to widen her study to include learning about other cultures .She chose to focus on Africa, and completed first the postgraduate Oxford Diploma and B.Litt in Anthropology, then fieldwork (1960-61, 1963-4) on story telling among the Limba speakers of Northern Sierra Leone (her manuscript field notes are deposited in the archives of the School of Oriental and African Studies, University of London); digitised versions of audio taped Limba story-telling and (minimally) music are available on. She completed her D.Phil in 1963, supported by Nuffield College, under the celebrated anthropologist E. E. Evans-Pritchard.Immediately after her marriage in 1963 to David John Murray, grandson of Sir James Murray, the first editor of the Oxford English Dictionary, she accompanied her husband to the University College of the Rhodesias and Nyasaland in the then Southern Rhodesia (now Zimbabwe), and from there to the more democratic if conflict-ridden setting of the University of Ibadan, Nigeria (1965-69) where their three daughters were born. From there she and her husband were recruited as founding members of the academic staff of the Open University where, apart from three years at the University of the South Pacific in Fiji and Ruthm 1989, and in the wonderful setting of the University of Texas at Austin, they very productively spent the rest of their careers. They are now both Emeritus Professors and still research active. They have five grandchildren (one in New Zealand) and live, write and talk in Old Bletchley in Buckinghamshire, round the corner from the famous Bletchley Park.

Rachel Backshall, BA Oxon, is a UK artist and illustrator recently graduated from Oxford University. She has exhibited her highly acclaimed silk paintings in London, Oxford and Liverpool - many of which are inspired by her research into specific archaeological sites during her degree. Her illustrations are inspired by the natural world and focus in particular on the wild and wonderful animals that appear both in reality, and in children's imaginations. She is particularly interested in the concept of imaginative play, looking at the way children visualise and develop games and stories. Acknowledging that human imagination plays such a vital part to all stages of our lives, Rachel hopes to capture some of these moments within her illustrations, and in particular to relate to the magical way that children bring their toys and games to life. Rachel has recently illustrated the prize winning Pearl of the Seas and Kris and Kate Build a Boat - The Magical Adventure for Garn Press author Ruth Finnegan, and has since been extremely honoured to work with Denny Taylor on Toodle-oo Ruby Blue as part of the Ruby Blue Series. She is currently working with both authors on future projects.

Rachel Backshall, BA Oxon, is a UK artist and illustrator recently graduated from Oxford University. She has exhibited her highly acclaimed silk paintings in London, Oxford and Liverpool - many of which are inspired by her research into specific archaeological sites during her degree. Her illustrations are inspired by the natural world and focus in particular on the wild and wonderful animals that appear both in reality, and in children's imaginations. She is particularly interested in the concept of imaginative play, looking at the way children visualise and develop games and stories. Acknowledging that human imagination plays such a vital part to all stages of our lives, Rachel hopes to capture some of these moments within her illustrations, and in particular to relate to the magical way that children bring their toys and games to life. Rachel has recently illustrated the prize winning Pearl of the Seas and Kris and Kate Build a Boat - The Magical Adventure for Garn Press author Ruth Finnegan, and has since been extremely honoured to work with Denny Taylor on Toodle-oo Ruby Blue as part of the Ruby Blue Series. She is currently working with both authors on future projects.

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