Life - Truth in its Various Perspectives: Cognition, Self-Knowledge, Creativity, Scientific Research, Sharing-in-Life, Economics (Analecta Husserliana)

Tymieniecka, Anna-Teresa (Editor)

ISBN 10: 9048158478 / ISBN 13: 9789048158478

Editore: Springer, 2011

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• Titolo: Life - Truth in its Various Perspectives: Cognition, Self-Knowledge, Creativity, Scientific Research, Sharing-in-Life, Economics (Analecta Husserliana)
• Editore: Springer
• Data di pubblicazione: 2011
• Lingua: Inglese
• ISBN 10: 9048158478
• ISBN 13: 9789048158478
• Rilegatura: Paperback
• Condizione: Brand New

Descrizione articolo

Riassunto

What is truth? This fascinating spectrum of studies into the various rationalities of our human dealings with life - psychological, aesthetic, economic, spiritual - reveals their joints and calls for a new approach to truth. Putting both classical and contemporary conceptions aside, we find the primogenital ground of truth in the networks of correspondences, adequations, relevancies, and rationales at work in life's becoming.

Does this plurivocal differentiation mean that the status of truth is relative? On the contrary, submits Anna-Teresa Tymieniecka, given the universal significance of the crucial instrument of the logos of life, "truth is the vortex of life's ontopoietic unfolding".

Contenuti

Topical Study: Truth the Ontopoietic Vortex of Life; A-T. Tymieniecka. Section 1. Do we see the Things Themselves? E.C. Wait. The Culmination of Reality: Man in the Universe; S. Ray. An Experience of Pure Consciousness in Zen Buddhism; B. Szymanska. An Attempt at a Phenomenological Description of the Self-Knowledge Process in Chandogya Unpanishad; M. Kudelska. Reflections on José Ortega Y Gasset's Notion of Aléthea; J. García-Gómez. Knowing Thyself: Paradox, Self-Deception, and Intersubjectivity; S.G. Schull. The Truth of the I and Its Intuitive Knowledge; P.L.B. Aznar. Section II. Blurring the Boundaries Between Art and Life: Jan Van Eyck's Ghent Altarpiece (1425-32); and Alan Kaprow's Apple Shrine (1960) and Eat (1964); D.G. Scillia. Musical Art as Enlightenment and Understanding Through Ethos: The Experience of the `Human'; C. Cozma. Trace, Testimony, Portrait; R.B. Sweeney. Phenomenology and Literary Aesthetics; R.P. Oropeza. Los Cuasi-Juicios; G. Nyenhuis. Illusion and Truth in the Work of Art; M. Pastragus. Section III. Truthfulness in Science and Art; W.K. Rogers. Phenomenology and Levels of Organization in Science; J.E. Rubio. Machinic Inscriptions of Fragment Objectness; M. Jaros. Los Bordes Imaginarios Del Asco y el Morbo: Una Fenomenología del Tiempo en Las Fronteras de la Animalidad en el Cine de Pier Paolo Pasolini y David Cronenberg; J.L.B. Lara. Section IV. On the Necessary form of Philosophy in the Vital Determination of Every Beginning Thereof; L. Scarfò. Is Freedom a Condition of Responsibility? (An Analysis Based on Roman Ingarden's Notion of Freedom); T. Czarnik. Economism; The Debate About the Universality Claims ofOrthodox Economics; J.J. Venter. Section V. Peoplegram vs. Organization Chart: The New Management of Human Resources; P. Trupia. The Autocreation of a Manager in the Process of Transformational Leadership; B. Bombala. Business and Ethics, A General Approach; M. Pyka. Intellectuals and Legitimation Crisis: A Phenomenological Ontology of Human Relations; J.I. Unah.