The Making of an Orator : With Examples from Great Masterpieces of Ancient and Modern Eloquence (Classic Reprint)

John O'connor Power

ISBN 10: 0666124434 / ISBN 13: 9780666124432

Editore: Forgotten Books Dez 2018, 2018

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Dati bibliografici

• Titolo: The Making of an Orator : With Examples from Great Masterpieces of Ancient and Modern Eloquence (Classic Reprint)
• Editore: Forgotten Books Dez 2018
• Data di pubblicazione: 2018
• Lingua: Inglese
• ISBN 10: 0666124434
• ISBN 13: 9780666124432
• Rilegatura: Buch
• Condizione: Neu
• Dimensioni: 662 L x 152 A x 22 P (millimetri) 662 millimetri di larghezza per 152 millimetri di altezza per 22 millimetri di profondità
• Peso: 380 grammi

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Riassunto

Excerpt from The Making of an Orator: With Examples From Great Masterpieces of Ancient and Modern Eloquence

Some voices, it is true, are of more limited compass than others; but most are full, reso nant, and melodious, of great range and flex ibility - capable of venting, at one moment, a tempest of passion, and of issuing, at another, in soft, low, murmuring accents that linger pleasantly in the ear. In both cases reading aloud is advantageous - to correct the defects of the one, to improve and strengthen the other. If, said the great critic, Ruskin, I could have a son or a daughter possessed of but one accomplishment in life, it should be that of good reading. When elocution is made a part of education, but not before, this accomplishment, so useful in itself and so val uahle in the elementary training of an orator, will be within reach of every student. The late Professor J. R. Seeley, speaking at the Royal Institution, said.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.