Marvel Masterworks: The Invincible Iron Man Vol. 18
Lingua: inglese
Editore: Marvel Comics, 2025
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Marvel Masterworks: The Invincible Iron Man Vol. 18 | Bill Mantlo (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2025 | Marvel Comics | EAN 9781302962159 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Codice articolo 129790973
- Titolo
- Marvel Masterworks: The Invincible Iron Man Vol. 18
- Autore
- Bill Mantlo (u. a.)
- Editore
- Marvel Comics
- Anno di pubblicazione
- 2025
- Condizione
- Neu
- Rilegatura
- Buch
- Lingua
- inglese
- ISBN 10
- 1302962159
- ISBN 13
- 9781302962159
- Disegnatore
- McDonnell, Luke; Marvel Various
- Peso dell'articolo
- 1208 grammi
- Dimensioni
- 259 x 185 x 26 mm
- Serie
- Libro 14 di 23: Iron Man (1968-1996)
- Cataloghi dei venditori
- Bücher
Dennis O’Neil and Luke McDonnell’s rich storytelling in the latest Marvel Masterworks is a compelling exploration of what makes a man and what makes a hero. Brought to his knees by the bottle and by Obadiah Stane, Tony Stark continues his struggle to regain control of his life. Meanwhile James “Rhodey” Rhodes fights to rebuild the empire Stark lost, but the Iron Man armor may drive him mad first. The tension between these headstrong heroes builds until it explodes in a historic war of Iron Men. Only one man can wear the red-and-gold. Who will it be? This volume also features the never-before-reprinted solo saga of Iron Man’s compatriot Jack of Hearts, revealing his mysterious origins in a cosmic quest.
COLLECTING: THE INVINCIBLE IRON MAN (1968) #183-192 & ANNUAL (1970) #7, MARVEL TEAM-UP (1972) #134 and JACK OF HEARTS (1984) #1-4
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Informazioni sull’autore
Bill Mantlo began his Marvel career on Deadly Hands of Kung Fu, in which he introduced White Tiger, one of the industry’s earliest Hispanic super heroes. Eventually writing stories for almost every Marvel title, he did some of his most fondly remembered work on Incredible Hulk and Spectacular Spider-Man. He also launched Cloak and Dagger in a pair of miniseries and guided Alpha Flight through some of its most harrowing ordeals. Mantlo excelled at integrating licensed properties into the Marvel Universe, as demonstrated by Micronauts and Rom: Spaceknight, both of which he wrote from start to finish. At DC, he wrote the Invasion miniseries for one of the company’s biggest crossover events.
Bob Harras edited several titles as Ralph Macchio’s assistant, mostly tie-ins such as Micronauts, Rom, Saga of Crystar and U.S. 1. He subsequently became chief editor of the X-Men titles and wrote for multiple series, including a three-year run on Avengers. Graduating to editor in chief, he oversaw well-received runs of Captain America, Daredevil, Deadpool and other titles, as well as the controversial second Clone Saga in the 1990s’ Spider-Man titles. Harras has since worked as contributing editor at WildStorm and collected editions editor for DC Comics. He began a decade-long stint as DC’s editor in chief in 2010.
Luke McDonnell penciled a long stint on Iron Man, encompassing the controversial storyline in which Tony Stark ceded the Iron Man armor to his friend James Rhodes. McDonnell’s work also appeared in Daredevil, Spectacular Spider-Man, What If? and elsewhere. At DC, he penciled most of John Ostrander’s Suicide Squad and its spinoff miniseries Deadshot, as well as a Justice League of America stint during its “Detroit JLA” phase. Eclipso, Green Lantern: Mosaic and Secret Origins are only a few of the other titles benefiting from his work.
From his start on Canadian hero Captain Canuck, George Freeman moved to U.S. art on Avengers at Marvel and Green Lantern at DC, among others. He was one of four artists on John Ostrander’s Wasteland horror anthology. In 1991, he returned to Canada to co-found Winnipeg-based coloring and inking studio Digital Chameleon.
A creative stalwart that put his all into his work on long-running series like Ghost Rider and Defenders, Don Perlin plied his talents in virtually every discipline in the comic-book field — penciling, inking, creating new characters and sometimes editing and writing. A student of Burne Hogarth’s, Perlin launched his career in 1951, drawing horror comics for various publishers and also penciling Will Eisner’s The Spirit. After serving in the Army, Perlin returned to comics with Harvey in the late ’50s as well as Charlton in the ’60s. In 1973, he began his long association with Marvel, finishing John Buscema’s art on Thor and inking several titles. He took over Werewolf by Night from Mike Ploog, penciling and inking the book for much of the next two years. He also penciled and inked the supernatural adventures of Johnny Blaze in Ghost Rider, his name becoming very closely identified with Marvel’s monster biker. In the ’80s, he drew Defenders for a long run before turning his attention to Marvel’s adaptation of Hasbro’s Transformers. His early ’90s work on Valiant’s Solar, Man of the Atom and Bloodshot was extremely popular, after which Perlin went into semiretirement.
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