First comprehensive retrospective of the work of renowned American photo artist Jeffrey A. Wolin
Throughout his career, photographer Jeffrey A. Wolin has focused on the impact of poverty, war, and trauma on human experience, memory, and hope. His first job as a police photographer influenced his candid approach, as well as his deep respect for human resilience. Wolin combines his love of words with a passion for making photographs, writing the stories of each subject directly on their images. The resulting works fuse his own aesthetic ideas with the »voice« of the people he so intimately engages.
This publication accompanying the upcoming retrospective at the Sidney and Lois Eskenazi Museum of Art at Indiana University will give a comprehensive presentation of Wolin’s work, and is his third book with Kehrer.
Jeffrey A. Wolin is Ruth N. Halls Professor Emeritus of Photography at Indiana University. Wolin’s photographs have been exhibited in over 100 exhibitions in the US and Europe, including solo shows at the Art Institute of Chicago, International Center of Photography in New York, George Eastman Museum in Rochester and the Museum of Contemporary Photography in Chicago and group exhibitions at MoMA, Whitney Museum, and LA County Museum of Art.
His photographs are in the permanent collections of numerous museums including the Metropolitan Museum of Art, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; Nelson-Atkins Museum of Art, Kansas City; Cleveland Museum of Art; Houston Museum of Fine Arts; Art Institute of Chicago; New York Public Library; George Eastman Museum, Rochester; Whitney Museum of American Art, New York; Bibliotèque Nationale de France, Paris; and Museum of Modern Art, New York.
Wolin’s work is included in dozens of books including six monographs: Written in Memory: Portraits of the Holocaust, Chronicle Books, San Francisco; Inconvenient Stories: Vietnam War Veterans, Umbrage Editions, New York; Pigeon Hill: Then & Now, Kehrer Verlag, Heidelberg & Berlin. Other publications include Swimmers, Aperture, New York; Waterproof, Editions Stemmle, Zurich; An American Century of Photography, Abrams, New York; Searching for Memory, Basic Books, New York; Common Ground, Merrell, London & New York; and Mémoire des Camps, Editions Marval, Paris.
Wolin is the recipient of two Visual Artist Fellowships from the National Endowment for the Arts and a Guggenheim Fellowship. He is represented by Catherine Edelman Gallery in Chicago.
