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Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
Informazioni sugli autori:
Arnie Cox is Associate Professor of Music Theory and Aural Skills at the Oberlin College Conservatory of Music. His writings and teaching focus on the relationship between embodiment, affect, metaphor, and musical experience. He has published essays on music and gesture, the role of embodiment in music analysis, and the nature of musical subjectivities. He has been an invited speaker at numerous universities and other venues.
Arnie Cox is Associate Professor of Music Theory and Aural Skills at the Oberlin College Conservatory of Music. His writings and teaching focus on the relationship between embodiment, affect, metaphor, and musical experience. He has published essays on music and gesture, the role of embodiment in music analysis, and the nature of musical subjectivities. He has been an invited speaker at numerous universities and other venues.
Titolo: Music and Embodied Cognition: Listening, ...
Casa editrice: Indiana University Press
Data di pubblicazione: 2016
Legatura: Rilegato
Condizione: New
Da: clickgoodwillbooks, Indianapolis, IN, U.S.A.
Condizione: Acceptable. This is a hard cover book: Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media. Codice articolo 3O6WBH001I8H_ns
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Da: Better World Books: West, Reno, NV, U.S.A.
Condizione: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo 50342463-75
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Da: PBShop.store UK, Fairford, GLOS, Regno Unito
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo FW-9780253021601
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Hardback. Condizione: New. New copy - Usually dispatched within 4 working days. 590. Codice articolo B9780253021601
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Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 26409638-n
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Da: moluna, Greven, Germania
Condizione: New. Über den AutorArnie CoxInhaltsverzeichnisAcknowledgmentsPart One: Theoretical BackgroundIntroduction1. Mimetic Comprehension2. Mimetic Comprehension of Music3. Metaphor and Rel. Codice articolo 464932180
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Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Hardback or Cased Book. Condizione: New. Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking 1.2. Book. Codice articolo BBS-9780253021601
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Da: California Books, Miami, FL, U.S.A.
Condizione: New. Codice articolo I-9780253021601
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
Condizione: New. Codice articolo 26409638-n
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Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition. Codice articolo 26409638
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