Titolo: Music in Film: Soundtracks and Synergy (...
Casa editrice: Wallflower Press
Data di pubblicazione: 2004
Legatura: Soft cover
Condizione libro: Used
This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Introduction: Popular Music And Film, by Ian Inglis Score vs. Song: Art, Commerce, And The H Factor In Film & TV Music, by Robb Wright Music And The Body In Dance Film, by Lesley Vize The Sting In The Tale, by Phil Powrie The Music Is The Message: The Day Jimi Hendrix Burned His Guitar. Film, Musical Instrument, And Performance As Music Media, by Anno Mungen The Act You've Known For All These Years: Telling The Tale Of The Beatles, by Ian Inglis The Sound Of A New Film Form, by Anahid Kassabian Case Study 1: Sliding Doors and Topless Women Talk About Their Lives, by Lauren Anderson Constructing The Future Through Music Of The Past: The Software In Hardware, by Kevin J. Donnelly 'Music Inspired By.': The Curious Case Of The Missing Soundtrack, by Lee Barron Triumphant Black Pop Divas On The Wide Screen: Lady Sings The Blues and Tina: What's Love Got To Do With It, by Jaap Kooijman Case Study 2: The Big Chill, by Melissa Carey & Michael Hannan Ridiculous Infantile Acrobatics or Why They Never Made Any Rock'n'roll Movies In Finland, by Antti-Ville Karja. Codice inventario libreria ABE_book_usedgood_1903364655
Providing an introduction to an area of increasing undergraduate study, Music in Film gives a critical overview of contemporary music whilst placing it within a historical and cultural context. A broad range of films are discussed from Hollywood through to Amerian independents and European art films - including Pulp Fiction, Trainspotting, the work of David Lynch and Pedro Almodovar. A brief history of the development of music in film from the days of the silent era to the present day, the book explores how music operates as a narrative device, and also emotionally and culturally. There is an extended case study of Magnolia as a film script which developed from a pop song. Emphasis is also placed on the divide between the 'high culture' of the orchestral score and the 'low culture' of the pop song.
Pauline Reay is a freelance lecturer in in Film and Media Studies with a background in the music industry and special interests in film music and American independent film.
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Libreria AbeBooks dal: 7 maggio 2014
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