Original Intentions: Essays on Production, Reproduction, and Interpretation in the Arts of China

edited by Nick Pearce and Jason Steuber

ISBN 10: 081303972X / ISBN 13: 9780813039725

Editore: University Press of Florida, 2012

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302 pages : illustrations (chiefly colour), colour map ; 32 cm Contents: A flash in the pan : the "Bushell Bowl" controversy revisited / Nick Pearce -- Canon formation and the development of western Chinese art history / Roger Covey -- Pigment style and workshop practice in the Yuan dynasty wall paintings from the Lower Guangsheng Monastery / Ling-en Lu -- Qing dynasty emperors Kangxi and Qianlong : rule through replication in architecture and the arts / Jason Steuber -- Replicating the past : ink rubbing and its related ideas in contemporary Chinese art / Wei-Cheng Lin -- Copying and transmitting, knowledge and nonsense : from the Great encyclopedia to A book from the sky / Shane McCausland -- Some considerations of the bronze inscription techniques used during the Shang and Zhou dynasties / Changping Zhang.

Codice articolo 14jbew605

Dati bibliografici

• Titolo: Original Intentions: Essays on Production, Reproduction, and Interpretation in the Arts of China
• Editore: University Press of Florida
• Data di pubblicazione: 2012
• Lingua: Inglese
• ISBN 10: 081303972X
• ISBN 13: 9780813039725
• Rilegatura: Hardcover
• Condizione: New
• Condizione della sovraccoperta: New
• Cataloghi dei venditori:
  • Art
  • China

Descrizione articolo

Riassunto

Investigates the controversial practice of art replication

“An excellent survey of scholarship surrounding some of the most fundamental issues in the study of Chinese art. Ranging from Chinese bronzes through Buddhist painting and imperial patronage to the development of the modern scholarly field of Chinese art history and contemporary art, it will be an important resource for many different readers.”—Shawn Eichman, Honolulu Academy of Arts


“An informative and sometimes provocative guide to understanding ‘replications’ of Chinese art as cultural ontology from antiquity to the present. The timing of this volume is particularly relevant to today’s ever-expanding ‘replication’-conscious public.”—He Li, author of Chinese Ceramics: A New Comprehensive Survey from the Asian Art Museum of San Francisco

 

For both museums and collectors, questions of "authenticity" often dominate the decision to acquire a new work. This issue is especially thorny for Westerners when dealing with Chinese art.
    
Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks.
    
The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture. Offering a broad range of perspectives on conservation, technical analysis, social history, and collecting, the contributors to the volume explore the question of authenticity in the arts of China. Essays feature both theoretical and object-based research in a broad chronological framework, addressing a wide range of issues in both Chinese and Western contexts.

Informazioni sull?autore

Nicholas Pearce, professor of Chinese art and Head of the School of Culture and Creative Arts at the University of Glasgow, is the author of Photographs of Peking, China, 1861-1908. Jason Steuber, Cofrin Curator of Asian Art for the Samuel P. Harn Museum of Art at the University of Florida, is the author of China: 3000 Years of Art and Literature.