On the Outskirts of Form: Practicing Cultural Poetics. Questo articolo non è disponibile.
Lingua: inglese
Editore: Wesleyan University Press, 2011
- Brossura
- Nuovo

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Descrizione dell’articolo da parte del venditore
Essays on modern and contemporary poetry from a cultural studies perspective Num Pages: 344 pages, 19 illus. BIC Classification: DSC; JHMC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 456. . 2011. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Codice articolo V9780819569585
- Titolo
- On the Outskirts of Form: Practicing Cultural Poetics
- Autore
- Davidson, Professor Michael
- Editore
- Wesleyan University Press
- Anno di pubblicazione
- 2011
- Condizione
- New
- Rilegatura
- Brossura
- Lingua
- inglese
- ISBN 10
- 0819569585
- ISBN 13
- 9780819569585
Essays on modern and contemporary poetry from a cultural studies perspective
This new book by eminent scholar Michael Davidson gathers his essays concerning formally innovative poetry from modernists such as Mina Loy, George Oppen, and Wallace Stevens to current practitioners such as Cristina Rivera-Garza, Heriberto Yépez, Lisa Robertson, and Mark Nowak. The book considers poems that challenge traditional poetic forms and in doing so trouble normative boundaries of sexuality, subjectivity, gender, and citizenship. At the heart of each essay is a concern with the "politics of form," the ways that poetry has been enlisted in the constitution--and critique--of community. Davidson speculates on the importance of developing cultural poetics as an antidote to the personalist and expressivist treatment of postwar poetry. A comprehensive and versatile collection, On the Outskirts of Form places modern and contemporary poetics in a cultural context to reconsider the role of cultural studies and globalization in poetry.
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Informazioni sull’autore
Poet and scholar MICHAEL DAVIDSON is Distinguished Professor of Literature at the University of California, San Diego. He is the author of numerous books, most recently Concerto for the Left Hand: Disability and the Defamiliar Body.
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