The Patron's Payoff: Conspicuous Commissions in Italian Renaissance Art

Nelson, Jonathan K.; Zeckhauser, Richard J.

ISBN 10: 0691125414 / ISBN 13: 9780691125411

Editore: Princeton University Press, Princeton, 2008

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Very good hard cover, with unclipped dust jacket. Light shelf and handling wear, includes minor creasing to DJ edges, light foxing and tanning to inner DJ, spine tanned. Pages very well bound, content unmarked. CN.

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Dati bibliografici

• Titolo: The Patron's Payoff: Conspicuous Commissions in Italian Renaissance Art
• Editore: Princeton University Press, Princeton
• Data di pubblicazione: 2008
• Lingua: Inglese
• ISBN 10: 0691125414
• ISBN 13: 9780691125411
• Rilegatura: Hardcover
• Condizione: Very Good
• Condizione della sovraccoperta: Very Good
• Tipo di libro: Used
• Cataloghi dei venditori:
  • Art & Photography

Descrizione articolo

Riassunto

In The Patron's Payoff, Jonathan Nelson and Richard Zeckhauser apply the innovative methods of information economics to the study of art. Their findings, written in highly accessible prose, are surprising and important. Building on three economic concepts--signaling, signposting, and stretching--the book develops the first systematic methodology for assessing the meaning of art patronage and provides a broad and useful framework for understanding how works of art functioned in Renaissance Italy.

The authors discuss how patrons used conspicuous commissions to establish and signal their wealth and status, and the book explores the impact that individual works had on society. The ways in which artists met their patrons' needs for self-promotion dramatically affected the nature and appearance of paintings, sculptures, and buildings. The Patron's Payoff presents a new conceptual structure that allows readers to explore the relationships among the main players in the commissioning game--patrons, artists, and audiences--and to understand how commissioned art transmits information. This book facilitates comparisons of art from different periods and shows the interplay of artists and patrons working to produce mutual benefits subject to an array of limiting factors. The authors engage several art historians to look at what economic models reveal about the material culture of Italy, ca. 1300?1600, and beyond. Their case studies address such topics as private chapels and their decorations, donor portraits, and private palaces.

In addition to the authors, the contributors are Molly Bourne, Kelley Helmstutler Di Dio, Thomas J. Loughman, and Larry Silver.

Informazioni sull?autore

Jonathan K. Nelson is coordinator of art history at Syracuse University in Florence. He has written extensively on Michelangelo, Leonardo, Botticelli, and Filippino Lippi. Richard J. Zeckhauser is the Frank P. Ramsey Professor of Political Economy at Harvard University's Kennedy School of Government. His most recent book is "Targeting in Social Programs".