Picturing Old New England : Image and Memory

Dona Brown, Thomas Andrew Denenberg, Judith K. Maxwell, Stephen Nissenbaum, Bruce Robertson, Roger B. Stein, and William H. Truettner; Edited by William H. Truettner and Roger B. Stein

ISBN 10: 0300079389 / ISBN 13: 9780300079388

Editore: Yale University Press, New Haven, 1999

Riguardo questo articolo

239 pages. Hardcover. 221 illustrations 90 in color. First edition. Minor wear to the edges with a half inch tear to the reverse dustjacket cover, although now encased in a Mylar sleeve. Published on the occasion of the exhibition from the National Museum of American Art, Smithsonian Institution, Washington DC April 2-August 22, 1999. Includes artist biographies, references, and index.

Codice articolo 009433

Dati bibliografici

• Titolo: Picturing Old New England : Image and Memory
• Editore: Yale University Press, New Haven
• Data di pubblicazione: 1999
• Lingua: Inglese
• ISBN 10: 0300079389
• ISBN 13: 9780300079388
• Rilegatura: Cloth
• Condizione: Fine Condition
• Condizione della sovraccoperta: Near Fine
• Tipo di libro: Book
• Cataloghi dei venditori:
  • Art: Painting
  • Art: Group Exhibition Catalogues

Descrizione articolo

Riassunto

When we think of New England, we envision village greens surrounded by neat, white-framed houses; tall elms and church spires; country stores; Yankee farmers; sailing ships; rocky coastlines; brilliant autumn foliage. Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of “national memory bank.” This beautiful book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.

The book begins with an introduction by Dona Brown and Stephen Nissenbaum that provides a historical background to the era. Then William Truettner, Roger Stein, and Bruce Robertson turn more directly to New England images and discuss a variety of artistic efforts to historicize the past. They show that paintings of the Revolutionary War, of harvest scenes, or of genteel old New England towns served, for example, to provide reassurance to urban dwellers after the Civil War, to counteract the effects of modernism, and to encourage a sense of community during the Depression. They also examine paintings of coastal New England and favorite haunts of tourists and artists such as Winslow Homer and Marsden Hartley. The many images of Old New England, say the authors, represent shared cultural beliefs—ways of seeing the present in terms of a mythical past.

This book is the catalogue for an exhibition at the National Museum of American Art, Smithsonian Institution, Washington, D.C., from April 2 to August 22, 1999.

Published in association with the National Museum of American Art, Smithsonian Institution

Informazioni sull?autore

William H. Truettner is senior curator of paintings and sculpture at the National Museum of American Art. Roger Stein is professor of art history at the University of Virginia.