Ravels Bewunderung f�r Debussys ber�hmtes Orchesterst�ck war grenzenlos. In einem Interview bekannte er sogar, sein innigster Wunsch sei es, dereinst zu den Kl�ngen dieses ''einzigartigen Wunders in der gesamten Musik'' zu sterben. Hatte Debussy selbst bereits eine Fassung f�r zwei Klaviere ver�ffentlicht, �bernahm Ravel 1910 die Bearbeitung f�r Klavier vierh�ndig, die noch im selben Jahr beim Verlag Fromont in Paris erschien und eigene Akzente setzt. F�r die Henle-Urtextausgabe, die erstmals alle verf�gbaren Quellen auswertet, konnte der Debussy-Spezialist Denis Herlin als Herausgeber gewonnen werden. Den Fingersatz �bernahm Andreas Groethuysen vom ber�hmten Duo Tal & Groethuysen.

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Ravel had limitless admiration for Debussy's famous orchestral work, going so far as to say in an interview that it was his innermost wish to die to the sounds of this "unique marvel in the whole of music". Since Debussy had himself already published a version for two pianos, Ravel in 1910 undertook an arrangement for piano 4-hands. It was published that same year by Fromont in Paris, and made animpact all of its own. We have been able to recruit Debussy specialist Denis Herlin as editor of this Henle Urtext edition, the first to evaluate all the available sources. The fingerings are by Andreas Groethuysen of the famous Tal & Groethuysen Duo.

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