A Practical Workbook for Actors: 1 (Acting on Impulse: Reclaiming the Stanislavski Approach). Questo articolo non è disponibile.
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Lingua: inglese
Editore: Methuen Drama, 2007
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Codice articolo mon0000494817
- Titolo
- A Practical Workbook for Actors: 1 (Acting on Impulse: Reclaiming the Stanislavski Approach)
- Autore
- Gillett, John
- Editore
- Methuen Drama
- Anno di pubblicazione
- 2007
- Condizione
- Very Good
- Rilegatura
- paperback
- Lingua
- inglese
- ISBN 10
- 0713677589
- ISBN 13
- 9780713677584
Stanislavski was the first to outline a systematic approach for using human experience to create truthful acting. Yet it is often rejected and misunderstood, or misapplied and distorted.
John Gillett offers a comprehensive and lucid step-by-step account of Stanislavski's whole approach from the actor's training to final performance. It is for actors from an actor's point of view. He draws on the major books - An Actor Prepares, Building a Character and Creating a Role - and records of Stanislavski's directing process and final studio classes.
The book provides accessible, practical examples and exercises as an integrated part of each subject. Stanislavski's approach is enhanced and clarified by relating to it the imaginative work of his 'most brilliant pupil', Michael Chekhov (often misrepresented as opposing Stanislavski, but, in fact, rooted in his artistic aims and premises while developing his own understanding and techniques). Biographies of key practitioners and a glossary of terminology make this an essential practical and educational resource for any student or practitioner of acting.
John Gillett offers a comprehensive and lucid step-by-step account of Stanislavski's whole approach from the actor's training to final performance. It is for actors from an actor's point of view. He draws on the major books - An Actor Prepares, Building a Character and Creating a Role - and records of Stanislavski's directing process and final studio classes.
The book provides accessible, practical examples and exercises as an integrated part of each subject. Stanislavski's approach is enhanced and clarified by relating to it the imaginative work of his 'most brilliant pupil', Michael Chekhov (often misrepresented as opposing Stanislavski, but, in fact, rooted in his artistic aims and premises while developing his own understanding and techniques). Biographies of key practitioners and a glossary of terminology make this an essential practical and educational resource for any student or practitioner of acting.
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Informazioni sull’autore
John Gillett trained as an actor in the Stanislavski and Michael Chekhov techniques between 1969-71 and was Head of the Post Graduate Acting Course at East 15 Acting School.
John Gillett trained in one of the first Stanislavski-based
schools in London, the Actors Workshop. He has worked as an actor for
thirty-four years, and as an acting teacher and director for over
twenty-five of those. As a director and teacher, John has worked for
the Actors Centre, East 15, ,Mountview, Rose Bruford College, Italia
Conti, and Arts Educational.
schools in London, the Actors Workshop. He has worked as an actor for
thirty-four years, and as an acting teacher and director for over
twenty-five of those. As a director and teacher, John has worked for
the Actors Centre, East 15, ,Mountview, Rose Bruford College, Italia
Conti, and Arts Educational.
John Gillett trained in one of the first Stanislavski-based schools in London, the Actors Workshop. He has worked as an actor for thirty-four years, and as an acting teacher and director for over twenty-five of those. As a director and teacher, John has worked for the Actors Centre, East 15, ,Mountview, Rose Bruford College and Italia Conti.
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