... E Prini. Questo articolo non è disponibile.... E Prini

This is the first monograph dedicated to of one of Italy's most enigmatic and complex artistic figures, Emilio Prini (1943-2016), a key figure of Arte Povera whose work has never been fully surveyed. Structured chronologically from 1966 to 2016, it examines his work via a systematic iconographic and bibliographic analysis of Prini's archives along with the institutions he exhibited at. As he considered the medium secondary to the concept, no distinction is made between installations, sculptures, invitations, posters, or documents; and by presenting the works first individually and then situated in different contexts, the book provides a unique insight into his particular methodology. Prini also consistently rejected the notion of the artwork as a closed and defined object, interrogating the very framework of the exhibition format. In our current context, marked by the overproduction and overconsumption of images and objects, the ongoing relevance of Prini's independent, elusive, and uncompromising approach lies in his questioning the necessity of production itself. Contributions by Alexander Alberro, Stefano Chiodi, Lara Favaretto, Adam Harrison, John Knight, Hans Ulrich Obrist, Luca Lo Pinto, Timotea Prini, Anri Sala, Andrea Viliani.

Figure de l'Arte Povera, Emilio Prini (1943-2016) est l'auteur d'une œuvre unique, défiant la perception et l'expérience du spectateur. Utilisant la photographie, le son et l'écrit, l'artiste italien s'attachait à révéler la relation entre la réalité et sa reproduction.

Figure de l'Arte Povera, Emilio Prini (1943-2016) est l'auteur d'une œuvre unique, défiant la perception et l'expérience du spectateur. Utilisant la photographie, le son et l'écrit, l'artiste italien s'attachait à révéler la relation entre la réalité et sa reproduction.