Print and Performance in the 1820s: Improvisation, Speculation, Identity: 127 (Cambridge Studies in Romanticism, Series Number 127). Questo articolo non è disponibile.Print and Performance in the 1820s: Improvisation, Speculation, Identity: 127 (Cambridge Studies in Romanticism, Series Number 127)

Illuminates Britain's literary field during the 1820s as a decade of improvisation, speculation and rapid cultural change.

Angela Esterhammer, FRSC, is Professor of English and Comparative Literature at the University of Toronto, and General Editor of the Edinburgh Edition of the Works of John Galt. Her previous books include The Romantic Performative: Language and Action in British and German Romanticism (2001), Romanticism and Improvisation, 1750–1850 (2008), and the edited volume Romantic Poetry: Comparative History of Literatures in European Languages (2002).