Rereading Musicians and Their Audiences : Popular Music Autobiographies. Questo articolo non è disponibile.
Lingua: inglese
Editore: Bloomsbury Publishing PLC Jul 2025, 2025
- Rilegato
- Nuovo

Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Venditore AbeBooks dal 14 agosto 2006
Condizione: Nuovo
EUR 176,09
Descrizione dell’articolo da parte del venditore
Neuware - Using a radical and inclusive definition of the genre, this collection explores musicians' autobiographies as articulated in print, on stage, and through various expressive media as a dynamic factor in contemporary culture. Popular musicians' autobiographies are one of the most important ways that stars create, negotiate and perpetuate the realities and myths of their lived experiences for fans. Autobiographical creations such as Bruce Springsteen's book Born to Run, Kendrick Lamar's lyrics, ABBA's virtual Voyage show, and the reimaginings of Lennon and McCartney's childhood homes have been both critically acclaimed and lucrative, whilst delivering for many fans an apparent insider's understanding of musicians whose work they are invested in. Yet such narratives have many other functions beyond thrilling their consumers with a sense of intimacy. The pop music autobiographies discussed here variously attempt to rewrite social history; to redress gender or racial stereotypes; to question received models of fame; to validate new genres and scenes; to explore complex subjectivities; to justify or atone for transgressive behaviour; and to critique the music industry. …
Codice articolo 9798765108413
- Titolo
- Rereading Musicians and Their Audiences : Popular Music Autobiographies
- Autore
- Kirsty Fairclough
- Editore
- Bloomsbury Publishing PLC Jul 2025
- Anno di pubblicazione
- 2025
- Condizione
- Neu
- Rilegatura
- Buch
- Lingua
- inglese
- ISBN 13
- 9798765108413
- Peso dell'articolo
- 569 grammi
- Dimensioni
- 229x152x18 mm
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Informazioni sull’autore
Kirsty Fairclough is Professor of Screen Studies at the School of Digital Arts (SODA) at Manchester Metropolitan University, UK. She is the co-editor of The Music Documentary: Acid Rock to Electropop (2013), The Arena Concert: Music, Media and Mass Entertainment (Bloomsbury, 2016), Music/Video: Forms, Aesthetics, Media (Bloomsbury, 2017), The Legacy of Mad Men: Cultural History, Intermediality and American Television (2020), Prince and Popular Culture (Bloomsbury, 2020), and author of the forthcoming Beyoncé: Celebrity Feminism and Popular Culture (Bloomsbury). She is the curator of Sound and Vision: Pop Stars on Film and In Her View: Women Documentary Filmmakers film seasons at HOME, Manchester and Chair of Manchester Jazz Festival.
Christian Lloyd has taught and published on a wide range of subjects in popular and literary cultures. He was involved in researching the reconstruction of Jimi Hendrix's London flat and wrote the accompanying book: Hendrix at Home: a Bluesman in Mayfair (2016).
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