Roy Ward Baker (Paperback). Questo articolo non è disponibile.
Lingua: inglese
Editore: Manchester University Press, Manchester, 2011
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Descrizione dell’articolo da parte del venditore
Paperback. This book traces the career of Roy Ward Baker, one of the great survivors of the British film and television industry. He directed the landmark British film Morning Departure (1949), worked at Twentieth Century Fox in Hollywood in the early 1950s where he directed Marilyn Monroe's 'breakthrough' film (Don't Bother to Knock), and followed this with a succession of fine films for Rank, culminating in the best version of the Titanic disaster, A Night to Remember in 1958. Yet within three years he was unable to secure a job in the British film industry and he moved to television series such as The Avengers, The Saint and Minder. Later Baker re-emerged as a major director of science-fiction (Quatermass and the Pit) and horror films (Asylum).Geoff Mayer provides an industrial and aesthetic context in which to understand the interrelationship between a skilled classical director and the transformation of the British film industry in the 1950s. -- . This book traces the career of one of the great survivors of the British film and television industry over more than sixty years, who directed landmark British films, worked at Twentieth Century Fox and Rank in Hollywood, moved to television series such as 'The Avengers' and re-emerged as a major director of science fiction and horror. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…
Codice articolo 9780719063558
- Titolo
- Roy Ward Baker (Paperback)
- Autore
- Geoff Mayer
- Editore
- Manchester University Press, Manchester
- Anno di pubblicazione
- 2011
- Condizione
- new
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 0719063558
- ISBN 13
- 9780719063558
- Serie
- Libro 23 di 27: British Film-Makers
This book traces the career of Roy Ward Baker, one of the great survivors of the British film and television industry. He directed the landmark British film Morning Departure (1949), worked at Twentieth Century Fox in Hollywood in the early 1950s where he directed Marilyn Monroe's 'breakthrough' film (Don't Bother to Knock), and followed this with a succession of fine films for Rank, culminating in the best version of the Titanic disaster, A Night to Remember in 1958. Yet within three years he was unable to secure a job in the British film industry and he moved to television series such as The Avengers, The Saint and Minder. Later Baker re-emerged as a major director of science-fiction (Quatermass and the Pit) and horror films (Asylum).
Geoff Mayer provides an industrial and aesthetic context in which to understand the interrelationship between a skilled classical director and the transformation of the British film industry in the 1950s.
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Informazioni sull’autore
Geoff Mayer is Chair of the Cinema Studies Program at La Trobe University, Australia
Geoff Mayer is Chair of the Cinema Studies Program at La Trobe University, Australia
Geoff Mayer is Chair of the Cinema Studies Program at La Trobe University, Australia.
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