Sarah Caldwell : The First Woman of Opera. Questo articolo non è disponibile.
Lingua: inglese
Editore: Globe Pequot Publishing Group, Inc., The, 2008
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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Descrizione dell’articolo da parte del venditore
Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Codice articolo 4392168-75
- Titolo
- Sarah Caldwell : The First Woman of Opera
- Autore
- Kessler, Daniel
- Editore
- Globe Pequot Publishing Group, Inc., The
- Anno di pubblicazione
- 2008
- Condizione
- Very Good
- Rilegatura
- Brossura
- Lingua
- inglese
- ISBN 10
- 0810861100
- ISBN 13
- 9780810861107
- Peso dell'articolo
- 0,992 libbre
- Dimensioni
- N/A
Sarah Caldwell: The First Woman of Opera is the first biography of this significant musician, conductor, and director and documents Ms. Caldwell's genius as an indomitable force for opera in America. Caldwell mounted many U.S. premieres and brought rare editions of standard works to her audiences. At the height of her career, she raised her baton over four of the top five orchestras, including the New York Philharmonic and the Boston Symphony Orchestra, and conducted orchestras in such cities as Pittsburgh, St. Louis, San Antonio, Atlanta, Mexico City, and Puerto Rico. She conducted ensembles in Canada, Sweden, South Africa, and Russia; was a musical director for Wolf Trap; and was the first woman to conduct at the Metropolitan Opera. She founded the renowned Opera Company of Boston, as well as the outreach effort Opera New England and a nation-wide touring enterprise, the American National Opera Company. Caldwell's undeniable zeal was evident in whatever she undertook, and her accomplishments invite reflection, showing what an opera company could and should be in America.
Daniel Kessler presents Ms. Caldwell's life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti's Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of "stage wizardry," and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.
Daniel Kessler presents Ms. Caldwell's life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti's Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of "stage wizardry," and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.
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Informazioni sull’autore
Daniel Kessler is a writer and lecturer on opera. He is a contributor to Opera Quarterly and has served as a lecturer for the San Francisco Opera.
Daniel Kessler is a writer and lecturer on opera. He is a contributor to Opera Quarterly and has served as a lecturer for the San Francisco Opera.
Daniel Kessler is a writer and lecturer on opera. He is a contributor to Opera Quarterly and has served as a lecturer for the San Francisco Opera.
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