The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems

Field, Syd

ISBN 10: 0440504910 / ISBN 13: 9780440504917

Editore: Delta, 1998

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Codice articolo ZEV.0440504910.A

Dati bibliografici

• Titolo: The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems
• Editore: Delta
• Data di pubblicazione: 1998
• Lingua: Inglese
• ISBN 10: 0440504910
• ISBN 13: 9780440504917
• Rilegatura: Brossura
• Condizione: acceptable

Descrizione articolo

Riassunto

All writing is rewriting. But what do you change, and how do you change it? All screenplays have problems. They happened to Die Hard: With a Vengeance and Broken Arrow-and didn't get fixed, leaving the films flawed. They nearly shelved Platoon-until Oliver Stone rewrote the first ten pages and created a classic. They happen to every screenwriter. But good writers see their problems as a springboard to creativity. Now bestselling author Syd Field, who works on over 1,000 screenplays a year, tells you step-by-step how to identify and fix common screenwriting problems, providing the professional secrets that make movies brilliant-secrets that can make your screenplay one headed for success...or even Cannes. Learn how to:

•Understand what makes great stories work
•Make your screenplay work in the first ten pages, using Thelma & Louise and Dances With Wolves as models
•Use a "dream assignment" to let your creative self break free overnight
•Make action build character, the way Quentin Tarantino does
•Recover when you hit the "wall"-and overcome writer's block forever

Informazioni sull?autore

Syd Field (1935–2013), the internationally renowned “guru of screenwriting,” was the author of eight bestselling books on the subject, including Screenplay, published in twenty-three languages and used in hundreds of colleges and universities nationwide and around the world. He was inducted into the Final Draft Hall of Fame in 2006 and was the first inductee into the Screenwriting Hall of Fame of the American Screenwriting Association. He was also a special consultant to the Film Preservation Project for the Getty Center.