Screenwriting for Virtual Reality | Story, Space and Experience. Questo articolo non è disponibile.
Lingua: inglese
Editore: Springer, 2025
- Brossura
- Nuovo
Condizione: Nuovo
EUR 149,10
Descrizione dell’articolo da parte del venditore
Screenwriting for Virtual Reality | Story, Space and Experience | Kath Dooley (u. a.) | Taschenbuch | Palgrave Studies in Screenwriting | xx | Englisch | 2025 | Springer | EAN 9783031541025 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
Codice articolo 133224546
- Titolo
- Screenwriting for Virtual Reality | Story, Space and Experience
- Autore
- Kath Dooley (u. a.)
- Editore
- Springer
- Anno di pubblicazione
- 2025
- Condizione
- Neu
- Rilegatura
- Taschenbuch
- Lingua
- inglese
- ISBN 10
- 3031541022
- ISBN 13
- 9783031541025
- Peso dell'articolo
- 446 grammi
- Dimensioni
- 210 x 148 x 19 mm
- Cataloghi dei venditori
- Bücher
This book is focused on screenwriting and development for virtual reality (VR). It explores a diverse range of creative approaches to the writing and screen development of VR stories and immersive audience experiences. Contributions from scholars and practitioners combine conceptual and practically orientated approaches for creating fictional and documentary media VR stories. The book evaluates, challenges and adapts existing screenwriting models and practices for immersive storytelling and grapples with the future of storytelling in the era of sophisticated computer visualization, AI and the online social metaverse. The book proposes new VR storytelling models, identifies altered relationships between creators, screen works and their audiences and demonstrates how interdisciplinary practices will be core to the future of screen storytelling.
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Informazioni sull’autore
Kath Dooley is a practitioner/academic based at the University of South Australia. Her work as writer/director has screened at the Busan International Short Film Festival and FIVARS, Toronto. She is author of Cinematic Virtual Reality: A Critical Study of 21st Century Approaches and Practices (Palgrave Macmillan, 2021). Her research interests include screen production methodology for traditional and immersive media, screenwriting, women’s screen practice and diversity in the screen industries.
Alex Munt is a screenwriter and director. He is based in the School of Communication, Faculty of Arts and Social Sciences at the University of Technology Sydney. His films have screened at the Sydney Film Festival and SXSW and been distributed worldwide. His research interests include independent film, artists’ moving image, VR and spatialised media.
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